Clothes on Film | Screen Style and Identity – Part 2
Posted by Chris Laverty on October 16, 2009
Director Peter Jackson’s new movie The Lovely Bones has been chosen for this year’s Royal Gala screening at London’s Leicester Square in late November.
This is a world charity premiere in aid of the Cinema and Television Benevolent Fund set two months before the scheduled release date. Now this may not mean much unless you have a ticket, but it does give us an excuse to revisit the film’s trailer. Watch it HERE
More…
Posted by Chris Laverty on October 13, 2009
Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume.
Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel.
More…
Posted by Chris Laverty on October 10, 2009
Warner Bros’ official website for The Box starring Cameron Diaz and James Marsden has gone live. This is creepy 1970s. Creepy as hell.
The Box is director Richard Kelly’s reinterpreting of a 1970 Richard Matheson short story called ‘Button, Button’ (filmed as a Twilight Zone episode in 1986). Kelly’s expanded version sees a cash strapped couple (Diaz and Marsden) left an apparently innocuous box one evening with a solitary button on top. They next day a mysterious stranger (Frank Langella) informs them that by pushing the button they will receive $1,000,000 dollars, but that somebody, somewhere will die.
More…
Posted by Chris Laverty on October 9, 2009
A new trailer for Jane Campion’s Bright Star has hit the web. Due for release in the UK on 6th November, the film looks to be a refashioned view of period romance and meticulous showcase for early 19th century dress.
Bright star is based on the last three years in the life of poet John Keats (Ben Whislaw), specifically his secret love affair with muse Fanny Brawne (Abbie Cornish). Keats was only twenty-five when he died so this isn’t an upbeat tale by any stretch. Though director/screenwriter Jane Campion’s most celebrated picture The Piano (1993) was an emotional gut-wrencher too, and all the more perfect because of it.
More…