Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 14 Jun ’09 25 May ’12 19 Nov ’09

Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 14 May ’14 25 May ’10 9 May ’13

Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 19 May ’11 21 Nov ’14 1 Oct ’12

Everyone who wishes to has seen and digested Inception by now, and still the most popular topic of discussion is Jeffrey Kurland’s inspiring costumes. Introducing costume design to cinemagoers who perhaps never would have noticed the craft before, Jeffrey has truly broken down barriers with Inception. Very kindly, he has taken time out of his busy schedule to once again speak exclusively to Clothes on Film about his intended meaning behind the costumes, plus some further details about the outfits themselves. Clothes on Film, Chris: Were the leather jackets worn by Leonardo DiCaprio as Cobb and Joseph Gordon-Levitt as Arthur custom designed by yourself? Jeffrey Kurland: I designed and had…

Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 5 Mar ’10 14 Jan ’11 8 Jun ’10

Costume designer Mari-An Ceo talks about the re-design of Freddy Kruger’s iconic striped sweater for a Nightmare on Elm Street 2010. Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film.

Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 14 Nov ’16 24 Dec ’17 24 Aug ’09

Jeffrey Kurland explains his costume choices for Inception exclusively to Clothes on Film. Lord Christopher Laverty 58 Comments 16 Jul ’13 4 Mar ’13 26 Sep ’11

Starring: Brad Pitt, Mélanie Laurent, Christoph Waltz Director: Quentin Tarantino World War II set Inglourious Basterds is Quentin Tarantino’s first ‘period film’ as such. It is an occasionally taxing two and half hours, not for the easily distracted. Though judging by Tarantino’s appreciation of how costume (military or otherwise) defined this brutal time, maybe he should revisit history’s atrocities more often. Via costume designer Anna B. Sheppard, Tarantino has deftly employed uniform to suggest a threatening presence in his antagonists. For the film’s first act, or chapter, SS Colonel Hans Landa (Christoph Waltz) visits the home of a French farmer and his three daughters he suspects of harbouring Jews. Landa…

From stills of this film alone you could easily be forgiven in thinking that I am Love (Io sono l’amore, 2009) was set during the 1960s. The designer clothes draped worn by lead members of the Recchi family, as selected by costumer Antonella Cannarozzi, are generally minimalist, in plain colours with little embellishment. I am Love is actually set in Europe around 2000, but its central characters are trapped as the well-heeled repressed of the sixties. Just as sexual, artistic and cultural expression was blossoming, the old guard struggled to make sense of this new world so regressed even more vehemently into their old one. The Recchi’s seem to live…