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    Rumble Fish: Dress Code Integrity in Gang Culture | Clothes on Film – Part 27665

    Artily shot in black and white with occasional bursts of colour, stylised to within an inch of its life and meandering dreamily through a story of brotherly love and hero worship, Francis Ford Coppola’s Rumble Fish barely made a splash at the 1983 box office, maintains Neil Alcock. For Coppola, Rumble Fish was, and still is, a deeply personal movie. Dedicated to his brother August, the film embodies its director’s admiration and respect for his older sibling. It’s the story of Rusty-James (Matt Dillon), a feckless, reckless gang member living in the shadow of his big brother, The Motorcycle Boy (Mickey Rourke), while simultaneously refusing to face up to impending…

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    Legend: Interview with Costume Designer Caroline Harris | Clothes on Film – Part 35757

    Director Brian Helgeland’s Legend (2015) tells the based-on true story of Ronald and Reggie Kray: twins (both played by Tom Hardy), East End boys, racketeers, murderers, icons. The Krays were shaped during the 1960s, a post World War II boom for England. They came to symbolise the smartly dressed gangster for a new youth-orientated generation. They had money and they wanted to flaunt it – and that meant suits and a lot of jewellery. Costume designer for Legend, Caroline Harris, boasting over 20 years experience in both film and television with credits such as Mr Nice (2010), Red Riding (2009) and Fleming (2014), here chats exclusively to Clothes on Film…

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    Woman Inherits the Earth: Femininity in Jurassic World | Clothes on Film – Part 35689

    There has been an insane amount of discussion online about Bryce Dallas Howard’s character, Claire Dearing, since the release of Jurassic World (2015, costume designed Daniel Orlandi), mostly concerning the ‘running in heels’ sequences. I felt it would be interesting to take a broader look at the costumes of the female leads in both the original Jurassic Park (1993, costume supervised by Sue Moore) and Jurassic World and contrast in the characters. Dr Ellie Sattler the Paleobotanist as played by Laura Dern in the original movie is a hugely underrated feminist action hero. She is allowed to be clever, brave, practical and physical yet display ‘feminine’ traits at the same…

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    Norwegian Wood: Hipsters Unmaxed | Clothes on Film – Part 20761

    Does Japanese period costume reflect on contemporary fashion? French born writer Aurélie Coulibaly appraises the hipster style of Norwegian Wood. Youth, love, Japan, 1960s; Norwegian Wood (2010, directed by Anh Hung Tran) is a fable on loss and growing up. Set from the summer of ’67 through to a spring morning just a few years later, somewhere between child and adulthood, we meet an assorted group of angelic characters to move any sensitive soul. We are in Tokyo, and along with the hectic political context of students’ protests against established order, alternatively contemplating tormented Naoko (Rinko Kikushi) and youthful Midori (Kiko Mizuhara) in their intense, yet poetic relationship with Toru…

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    Costume Designer Theoni V. Aldredge Passes Away | Clothes on Film – Part 18906

    A real legend of the industry, Greek born costume designer Theoni V. Aldredge, has died aged 88 years old. Designing for both stage and screen since 1950s, Aldredge was perhaps best known for her work during seventies era Hollywood on films such as Three Days Of The Condor (1975), Network (1976) and Eyes of Laura Mars (1978). She collaborated with Ralph Lauren for The Great Gatsby in 1974, though ostensibly Lauren just provided shirts and some suiting, in which she sparked a high street fashion revival for the delicate, waistless shifts worn by Mia Farrow’s character Daisy. The costumes were made in less than two weeks – an astonishing achievement.…

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    Costume Stories, This Week: Bhanu Athaiya and Gotham | Clothes on Film – Part 35076

    Two weeks of costume stories. Sheena Napier DTSFT cover this prolific costume designer’s chat at the V&A. And if you’ve not heard of Ms Napier we’ll just say: Backbeat, Poirot, Enchanted April. Sandy Powell Nice rundown of Ms. Powell’s Young Victoria event at the Getty Center. Lauren Fonville guest posts for Frocktalk. Wendy Benstead The costumer for stage and screen talks to Guise about her career so far, from sewing on her old Bernina to dressing Paloma Faith. We’ve met Wendy and she’s lovely. Debbie Reynolds Auction The Finale. Still time to sell your car, house, spouse. 14 Worst Movie Trainers Actually like most of these. Captain America: The Winter…

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    So Dior Exhibition at Harrods: Movie Star Dresses | Clothes on Film – Part 31585

    Although we didn’t visit the So Dior exhibition at Harrods personally, we were lucky enough to have a photographer swing by and snap some pics for us. Sad to have missed this one as the gowns in particular are exquisite. So Dior ran from 16th March to 14th April inside definitive department store Harrods. It was billed as a retrospective of Christian Dior’s contribution to fashion and perfumery constructed on three floors with a pop-up shop and cafe. A Dior takeover might be more accurate. Elegant Princess Margaret personified everything Christian Dior loved about England. Harrods was reputedly his favourite store. Dior initially trained as an architect before pursuing a…

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    Tron Legacy: Merchandising the MCP | Clothes on Film – Part 16226

    Seemingly on a par with Tron Legacy: the movie is the mechanising machine surrounding it. Yet apparently this is no simple case of ‘cash-in and run’, it never was. Disney grasped the mindset of Tron from the very beginning. The name means more than product; it is a lifestyle choice. One might assume that Disney, the entertainment behemoth who continued financing Tron creator Steven Lisberger’s ambitious digital project in 1980 would have taken over the reigns and demanded a gamut of merchandise options to make Lucasfilm weep. Not so, claims Lisberger. There was surprisingly little compromise in their creative/fiscal balancing act: There is a fairly unknown quote from Walt Disney.…