© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…

© 2009, Clothes on Film 28 Sep ’09 Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised…