Clothes on Film | Screen style & identity – Part 20

A new compilation of sartorially revealing James Bond photographs by Terry O’Neill. Continue reading

Piper Perabo chats to Clothes on Film about costume design for her role in Looper. Continue reading

Costume Designer Sharen Davis talks us through her retro-vision for Looper. Continue reading

Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Continue reading

Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Continue reading

A breezy retrospective of the most famous fashion editor of all time. Continue reading

A mishmash of sci-fi conventions and clichés cobbled together as something we have never quite seen before. Continue reading

French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Continue reading

The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Continue reading

The best kept secret in costume design is finally out: Prada made Carey Mulligan’s gowns for The Great Gatsby. Continue reading

Does costume design exist in animated film? Simulation supervisor for Brave, Claudia Chung, discusses its creation, processes and role in the finished movie. Continue reading

Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. Continue reading