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American Gigolo: Armani Gere | Clothes on Film – Part 13313
American Gigolo (1980, directed by Paul Schrader) is a vapid expression of style without substance that has somehow become an academic’s favourite. Yet to argue the emptiness of the film and its bland protagonist as subtext is to miss the big picture: American Gigolo is not even about its protagonist; it is about what he wears. American Gigolo is about Armani. It was Italian designers who led a revolution in tailoring during the early 1980s, reinventing the male suit by removing hitherto essential padding for a lightweight, almost floppy silhouette. Combined with unusual fabric choices and bold colours, they defined the decade. Giorgio Armani was at the forefront of this…
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Debbie Reynolds' Costume Collection Up For Auction | Clothes on Film – Part 19539
Since the 1960s, show business legend Debbie Reynolds has been stockpiling and promoting the preservation of Hollywood costumes, props and other memorabilia. Now she is selling her whole collection… CLICK HERE two download a PDF of the catalouge. The auction is to be held in several stages by Profiles in History, a leading dealer of autographs, manuscripts and vintage signed photographs. Costumes featured in the first sale include: Gene Kelly’s 3-pc wool herringbone suit by Walter Plunkett for Singin’ in the Rain (1952), Audrey Hepburn’s embroidered lace ‘Ascot dress’ from My Fair Lady (1964) designed by Cecil Beaton, Adrian’s gingham test dress for Judy Garland used for the first two…
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National Treasure 2: Diane Kruger's Costume Quest | Clothes on Film – Part 17632
It may not warrant scholarly interest, but National Treasure 2 is an enjoyable enough adventure, with globetrotting locations, a zippy script and trendy Diane Kruger, back again to show how contemporary fashion with a plot is far more fun than a flick through Vogue. After creating an eye-catching (and cleverly ironic) ball gown for Diane Kruger as Abigail Chase in the original film, Judianna Makovsky returned to design for sequel National Treasure 2: Book of Secrets (2007, directed Jon Turteltaub). Most of the principal cast returned too, including Nicolas Cage as treasure hunter Ben Gates. Although, again, it is Diane Kruger who draws most of our attention. National Treasure 2…
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National Treasure 2: Diane Kruger's Costume Quest | Clothes on Film – Part 17631
It may not warrant scholarly interest, but National Treasure 2 is an enjoyable enough adventure, with globetrotting locations, a zippy script and trendy Diane Kruger, back again to show how contemporary fashion with a plot is far more fun than a flick through Vogue. After creating an eye-catching (and cleverly ironic) ball gown for Diane Kruger as Abigail Chase in the original film, Judianna Makovsky returned to design for sequel National Treasure 2: Book of Secrets (2007, directed Jon Turteltaub). Most of the principal cast returned too, including Nicolas Cage as treasure hunter Ben Gates. Although, again, it is Diane Kruger who draws most of our attention. National Treasure 2…
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Review: Mission Impossible – Ghost Protocol | Clothes on Film – Part 23556
Starring: Tom Cruise, Paula Patton, Jeremy Renner Directed By: Brad Bird Ghost Protocol surges close to the complex spy shenanigans and intricate set pieces of the original film but comes up frustratingly short overall. Yet, even if this feels less a complete story and more an extended episode of television, it is still enjoyably daft fare with enough sci-fi tech and desirable clobber to keep you cooing until the credits. Even with Tom Cruise’s star draw as agent Ethan Hunt, the Mission: Impossible movies have always been about the team. Mainly because Ethan is not nearly as interesting a spy as James Bond or Jason Bourne, a point reflected by…
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Ghostbusters: Sigourney Weaver's Cape Coat | Clothes on Film – Part 2786
Ghostbusters (1984) is perhaps best known as the first ever big budget FX comedy and not for making any serious style statements. Yet tucked amongst the fluffy hair and khaki jump-suits sported by the Ghostbusters themselves is a classic example of mid-1980s opulence – Sigourney Weaver’s oversized cape coat: Full-length cape coat in blue wool with horizontal and intersecting vertical maroon stripes. Wide three-quarter length sleeves, stand collar, big button fastening. Matching cape running to three-quarter point at the rear. All contemporary women’s wear descended from male clothing, and nearly all male clothing descended from military dress. Sigourney Weaver’s cape coat is no exception. Based on a 19th century Garrick…