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Infinity War Costume Design: The Unfamiliar Familiar | http://clothesonfilm.net
SPOILERS For anyone with an eye to costume, The Avengers: Infinity War (2018) seemingly takes few evolutionary leaps. This makes perfect sense when we consider the timeline following particularly significant events of Captain America: Civil War (2016) and Black Panther (2017). Infinity War costume designer Judianna Makovsky (previously on board for The Winter Soldier, 2014; Civil War and Guardians of the Galaxy Vol.2, 2016) has crafted a combination of instantly familiar looks for a jam-packed canon of characters where nobody wants to be missed, but nobody should stick out above anyone else either. It’s a real balancing act, which is something we are should sure Thanos himself would appreciate. Judianna…
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The Essential Nature of Simple Costume in Locke | http://clothesonfilm.net
Locke (2013, costume design by Nigel Egerton) is a film unique in its restrictions – it takes place in real time, has only one character and only one setting. Ivan Locke (Tom Hardy) is driving somewhere important, and over the course of the film’s 85 minute running time, his life gradually begins to crumble around him as he desperately tries to salvage it. The controlled environment – the inside of his car – and the fact that the only character we actually see is Ivan himself means that interest in him is the only way of maintaining an audience’s attention with such limited visual stimulation. Ivan is the only character…
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Exclusive Costume Featurette for My Cousin Rachel | http://clothesonfilm.net – Part 36360
Daphne du Maurier‘s original novel My Cousin Rachel apparently does not specify the exact period in which it’s set, but implies some time toward the end of the 19th century on the Cornish coast. This new version of the story starring Rachel Weisz and Sam Claflin actually positions itself in a specific time frame, as decided upon by director Roger Michell and costume designer Dinah Collin, namely the year 1840. We have an exclusive featurette about the costume design of My Cousin Rachel, which although brief goes into some detail about what to expect from the finished film: What is most fascinating is just why 1840 was chosen. It was…
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A Sneaky Peek at The Green Hornet Costume | http://clothesonfilm.net – Part 5778
The merest glimpse at Seth Rogen’s costume for The Green Hornet has turned up online. And it is a glimpse. For those unfamiliar with The Green Hornet, and let’s be honest he is perhaps not that well known outside of fan circles, the premise is classic crime fighter lore. Brett Reid is a newspaper publisher by day, but by night he dons an eye mask and leather gloves to become vigilante ‘The Green Hornet’, ably aided by his chop-socky manservant Kato. The Hornet possesses no superpowers and is not even that strong in a fight. Though he does have a couple of gadgets, namely a gun that fires knock out…
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Iron Man 3: A Different Kind of Suit | http://clothesonfilm.net
WARNING: MAJOR SPOILERS FROM THE OUTSET All the main characters in director/screenwriter Shane Black’s brave and exciting Iron Man 3 wear a suit. By his own admission, Tony Stark (Robert Downey Jr.) is “cocooned” in his. He retreats inside the Iron Man suit, now up to an almost unfathomably expensive Mark 42, because it is the only place he feels safe. Those around Stark, be they on the side of right or wrong, wear their own suit. The suit hides their true self and it is only by removing this disguise that they can reveal it. Iron Man 3 mocks the notion of re-invention; Stark can build all the iron…
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The Conjuring 2: Costume Q&A with Kristin Burke | http://clothesonfilm.net – Part 35983
It was late November, 2016 when I visited the set of The Conjuring 2 (directed by James Wan). The reason I never wrote about it for Clothes on Film or anywhere else was because of my official role on the day: I was playing an extra (or background artist if you like) during the film’s Maida Vale pub scene. Specifically this is the moment when real life husband and wife paranormal investigator team, Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson) meet with noted experts in their field to discuss the validity of their current case, aka the Enfield poltergeist. I made the finished cut, by the skin of my…
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The Great Gatsby Trailer: Roaring Costumes | Clothes on Film – Part 25866
In a week of new and exciting trailers, the first for director Baz Luhrmann’s adaptation of The Great Gatsby must surely be the most thrilling of all, certainly for aficionados of exotic period costume and lots of twinkly things. Based purely on tone this frenetic footage is likely to upset literary purists, but to those familiar with Luhrmann’s back catalogue (Romeo & Juliet, Moulin Rouge!), the gaudy, flashy visuals and controversial choice of contemporary music (Jay-Z and Kayne West) will not come as a great surprise. Thankfully two time Academy Award winner Catherine Martin’s costumes are showcased in all their OTT glory. Deliberately impossible to miss; this is 1922, the…
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The Last Jedi: Interview with Costume Designer Michael Kaplan | Clothes on Film
MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes…
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Free Fire: Interview with Costume Designer Emma Fryer | Clothes on Film
MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.…
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Four Slices of Costume Pie from the Star Wars VII Trailer | Clothes on Film
There is little point in Clothes on Film delving too deeply into the first trailer for director J.J. Abrams’ Star Wars sequel The Force Awakens, mainly because it is just so much speculation at the moment, which of course is part of the fun, but also because there are far smarter (or more interested) minds on the Internet who will do a better job. That said how can you watch that trailer and not have an opinion? So here are ours, and with no contribution whatsoever from Star Wars VII costume designer Michael Kaplan. If he told us anything at this stage he would be thrown in the Sarlacc pit…