There are many eye-popping moments in Black Book (2006), aka Zwartboek, though probably the most PG friendly is when Carice van Houten transforms into a Resistance beauty of Jean Harlow-esque proportions wearing an unmissable red halterneck dress. Black Book is a World War II set action thriller directed Paul Verhoeven. Based on true events it charts the story of Ellis de Vries (formally Rachel Stein) played by Carice van Houten, a Jewish singer who joins the Dutch Resistance and then infiltrates the German Gestapo. Ultimately, however, the tide turns as she finds herself branded a traitor by her comrades and forced to go into hiding. It is unquestionably Verhoeven’s best…

Filmmaker Nic Fforde discusses how he come to realise the importance of costume design in his projects. Stories in films are all familiar to us in some way, no matter how remote the setting. The hell that unfolds aboard the Nostromo in Alien, LA’s icy criminal underworld in Heat or Rope’s Ivy League dinner party – a good story well told will whisk you away to its own self–contained world. All the tools of filmmaking are there to help create these worlds. What part does costume play in all this? My day job is to make films for advertising. We work on low budgets with small documentary crews. Whatever our…

Starring: Kara Hayward, Jared Gilman, Bruce Willis Directed By: Wes Anderson Costume design is an increasingly essential fixture in Wes Anderson’s films, fitting then that Moonrise Kingdom is his most sartorially significant picture so far. His first time collaboration with Kasia Walicka Maimone has yielded a pop culture retrospective of mid-1960s trends, with vibrant colour at the crux of revealing character. Period and setting research alone is extraordinary. The predominantly homemade costumes are sixties authentic; an eye-popping collection of loud trousers, knee socks, two-tone oxfords, hostess dresses with peter pan collars and khaki boy scout uniforms (the mind boggles at how long it must have taken to sew all the…

Jennifer Garner’s costumes in 13 Going On 30 (2004) are some of the most fun for a romantic comedy of recent years. In a plot which sees gawky teenager Jenna Rink (Garner) flash thirteen years into the future to find herself editor of Poise fashion magazine, it is unsurprising if the clothes she wears are somewhat…ahem….‘colourful’. At the start of the film, when Jenna is indeed 13, there is an array of 1980s fashions on show, including pale dyed denims, bejewelled off-the-shoulder tops and colours so bright they are practically luminous. Costume designer Susie DeSanto (Miss Congeniality, 2000) really went to town. When time jumps forward, however, and Jenna is…

As predicted, a new Tron Legacy trailer has debuted at San Diego Comic Con, along with eight minutes of finished footage (which we’ll admit we haven’t seen). It’s all go for the MCP. The design of the black Tron Legacy light suit is frankly wicked, a prefect modern update from Jeff Bridges’ stretchy number in the original, both functional looking and sexy (co-star Garrett Hedlund describes it as “the wardrobe of a lifetime”). These new suits appear to be made from Lycra, mesh and leather, possibly in two or three pieces, housing various sized illuminated sections wired with electricity. Just by the by, THIS company have some officially licensed replicas…

Somewhat misleading as nowhere is this photo officially tagged as being ‘Catwoman’; officially this is our first shot of Anne Hathaway as Selina Kyle in The Dark Knight Rises, on a Bat(cat?)pod, wearing what appears to be a proto-Catwoman costume. The suit, as designed by Lindy Hemming, seems to be a one or two piece, with separate wedge sole boots and past the elbow gloves, constructed of some kind of dimpled, rubberised neoprene – certainly not leather. It looks functional, perhaps with the intention of being waterproof or insulated against cold. The headgear is pure function too, we assume. Externally at least resembling a type of LED or night vision…

SPOILERS If you’ve heard anything about Phantom Thread (2017, directed by Paul Thomas Anderson), you are bound to uncover a multitude of thoughts on the astounding Academy Award winning costume work of Mark Bridges or the retirement role of Daniel Day-Lewis as Reynolds Woodcock, 1950s fashion house couturier. But one of the key components to Reynolds is missing from the discussion: Autism. Reynolds’ (Daniel Day-Lewis) daily dressing routine. Phantom Thread opens with Reynolds (Day-Lewis) getting dressed to formalities of the era. Polished shoes, ironed trousers, a fresh button-down shirt, with the addition of long magenta socks to introduce the notion of creativity, or perhaps particularities to the character. The scene…

Disney has just released an international trailer for their latest, Scotland set Pixar offering, Brave (directed by Brenda Chapman and Mark Andrews). Delightful, it is. Brave takes place in fairytale ‘ancient times’, telling the story of Merida (voiced by Kelly Macdonald), a flame haired, headstrong tomboy keen to break convention and change her destiny in a male dominated land. Nothing new there, but this does look sumptuous. Plus the level of detail on the costumes is immense. Just look at Queen Elinor’s (Emma Thompson) Tudor style green dress as it realistically shimmies and sways around her. If you are still not convinced that costume design has any place in animation,…

This insightful comedy about the hopelessness of love is every inch a ‘fashion film’, both in terms of narrative and thanks to costume designer Dayna Pink’s enviable parade of menswear trends and elegant suiting. Crazy, Stupid, Love (directed by Glenn Ficara and John Requa) stars Steve Carell as Cal Weaver, a middle aged man who has forgotten how to be a man and Ryan Gosling as Jacob Palmer, a bar culture player who helps Cal regain his self respect. Clothes in the film are prioritised over the man. They denote what we wear reflects how we evolve. Or in the case of Cal during the very first scene, how we…

In a week of new and exciting trailers, the first for director Baz Luhrmann’s adaptation of The Great Gatsby must surely be the most thrilling of all, certainly for aficionados of exotic period costume and lots of twinkly things. Based purely on tone this frenetic footage is likely to upset literary purists, but to those familiar with Luhrmann’s back catalogue (Romeo & Juliet, Moulin Rouge!), the gaudy, flashy visuals and controversial choice of contemporary music (Jay-Z and Kayne West) will not come as a great surprise. Thankfully two time Academy Award winner Catherine Martin’s costumes are showcased in all their OTT glory. Deliberately impossible to miss; this is 1922, the…