MILD SPOILERS Costume designer Michael Wilkinson’s main accomplishment with American Hustle has largely been overlooked in favour of praising him as some kind of vintage stylist with an eye for provocative gowns and desirable heels. The truth is he has carefully brought to life a world, not of parties and glamour, but cheap sex and dirty desperation. The costumes in American Hustle do tell a story, particularly through their ever darkening colour palette, yet Wilkinson’s deftest skill is reflecting an era when fashion was as confused as the politics surrounding it. American Hustle is an unapologetic tale of low down dirty double-crossers whose clothes, like them, were a lie. A…

Boardwalk Empire heralds the return of the dandy man. Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: Cookie Policy

Certain films come along where costume design is so essential to character and narrative, that to alter it even slightly would change the tone and perception of the story. Drive (2011, costume design by Erin Benach) is one example of this. The white satin scorpion jacket, tight indigo jeans and most importantly, leather driving gloves. Gloves were symbolic of The Driver’s intentions; when he slipped on the gloves he became himself. Stoker (2013, costume design by Kurt Swanson and Bart Mueller, aka ‘Kurt and Bart’) employs a similar concept – a costume sign – only here it is all about shoes. India Stoker (Mia Wasikowska) is something becoming. It is…

Margaret Schroeder is introduced as a world away from the ‘flapper’ set that would come to define the twenties. Boardwalk Empire heralds the return of the dandy man. Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: Cookie Policy

There is a man on Boardwalk Empire with even more sartorial presence than Nucky Thompson; That man is Chalky White. Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: Cookie Policy

Clothes from films set during 1920s A fortnight ago to the day, Clothes on Film creator and editor Christopher Laverty joined… Costume designer Mark Bridges described There Will Be Blood (2007) as his most challenging film,… Here’s a bit of justified promotion for an event you will absolutely want to see:… Let’s get this straight: Peaky Blinders is not Boardwalk Empire. It’s a post World War… Baz Luhrmann and Catherine Martin bring us the twenties reloaded. Catherine Martin chats about The Great Gatsby costumes, design and a lack of nostalgia. We visited Brooks Brothers to check out their costume display from The Great Gatsby. We analyse exactly what Baz Luhrmann…

Kurt and Bart are fascinating. Forged as art school drop outs in 1980s New York, their name is now a singular brand to movers and shakers in the media industry. Yet they are two people, two very real people: Kurt Swanson and Bart Mueller, renowned costume designers and wardrobe stylists for film, stage, TV and commercials. Since the early 2000s, Kurt and Bart have really stepped up their work costume designing film (forgive the pun but they actually did costume Step Up 3D), although runaway hit Stoker is arguably their highest profile feature yet. In fact Stoker is the most beguiling film of 2013 so far for costume. This is…

Certain films come along where costume design is so essential to character and narrative, that to alter it even slightly would change the tone and perception of the story. Drive (2011, costume design by Erin Benach) is one example of this. The white satin scorpion jacket, tight indigo jeans and most importantly, leather driving gloves. Gloves were symbolic of The Driver’s intentions; when he slipped on the gloves he became himself. Stoker (2013, costume design by Kurt Swanson and Bart Mueller, aka ‘Kurt and Bart’) employs a similar concept – a costume sign – only here it is all about shoes. India Stoker (Mia Wasikowska) is something becoming. It is…

Sharply tailored, violent, sexy and all-round immaculate HBO drama Boardwalk Empire hits British screens for the first time on 1st February (Sky Atlantic). For those who have not already seen the show, what will undoubtedly strike first is, thanks to costume designer John Dunn and tailor Martin Greenfield, just how beautifully turned out all the gentlemen in 1920’s set Atlantic City were. This is a time when being a real man meant wearing a deep red carnation on one’s jacket lapel and stiff collars to rival a neck brace. Ruler of Boardwalk Empire is Atlantic County treasurer Nucky Thompson (Steve Buscemi), a former policeman turned corrupt politician running an alcohol…

There is a man on Boardwalk Empire with even more sartorial presence than Steve Buscemi’s saffron silk gangster Nucky Thompson. Whereas Nucky may stop at red plaid suit and homburg, this man will brave a red topcoat with fur collar and leather buttons, red plaid suit and a bow-tie; he is the man to teach us all that colour and pattern are not only masculine, but the most masculine. He is Chalky White. Known to many for his career defining turn as Omar on The Wire, in Boardwalk Empire, Michael Kenneth Williams plays a gangster even shrewder and perhaps even more capable. Certainly he is better dressed. Williams’ prohibition era…