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    Running Scared: Costume Designer Kristin Burke | Clothes on Film – Part 8589

    Costume designer for Running Scared (2006), Kristin M. Burke, has kindly chatted to us about her contribution to the movie. Being a long time friend of Clothes on Film, she opened up her big book of anecdotes specially. For anyone even remotely interested in costume design this is essential reading. Running Scared (directed by Wayne Kramer) is a restless action thriller; an enjoyable, if visually exhausting and violent fairytale. Paul Walker stars as Joey Gazelle, a low-level mob hood frantically searching for a ‘hot’ weapon he was supposed to stash, while pursed by crooked cops and an impatient mafia family. Vera Farmiga features as Joey’s loyal yet independent wife Teresa,…

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    Advertising | Clothes on Film

    As a Handpicked blog, Clothes on Film can accommodate Leaderboard ads (728×90), MPUs (max 468px), columns (160×160) and takers. Just ask. For advertising enquiries contact sales@handpickedmedia.co.uk. To understand why you should advertise with Clothes on Film, definitely swing by the PRESS section. And here is a note about ‘cookies’, which the law says I have to put here even though you most likely know it already: What are cookies? ‘Cookies’ are small pieces of information that a website sends to your computer’s hard drive while you are viewing a website. How does this site use cookies? Tracking/user analysis cookies. This allows me to see how many people are visiting this…

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    The New Batsuit Reveal: Cute But Sinewy | Clothes on Film – Part 35088

    The top half of Ben Affleck’s new Batsuit has been revealed, as created by costume designer Michael Wilkinson for the barely in production Batman vs. Superman. At first this black and white Bats looks kind of pettable, thanks to those smaller, kittenish bat ears. However getting in closer the suit is far more visceral than Lindy Hemming’s version for director Christopher Nolan. It actually resembles a (very buff) human body stripped of its skin. Closer look at top half of the new Batsuit with contrast lightened slightly. Nolan is where most comparisons will be drawn; his Batman is still the benchmark in cinema, and while director Zach Snyder is less…

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    The Big Lebowski: Jeff Bridges in a Pendleton Cardigan | Clothes on Film – Part 9808

    Of all the mismatched, gaudily patterned and coloured attire Jeff Bridges as ‘The Dude’ wears in The Big Lebowski (1998, directed by the Coen Brothers), the ubiquitous Cowichan-type Pendleton cardigan sums up his character best of all. Threadbare, scruffy and in need of a good wash, the pair sure do go well together. Without indulging too detailed a history lesson, Cowichan is a style of knitting developed in the mid-nineteenth century by native Coast Salish women of the Cowichan tribe in British Columbia, Canada. Superficially it is similar in design to Fair Isle knitwear in Scotland. Although, amongst other differences, such as the more ‘jigsawy’ shape of Fair Isle, traditionally…

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    Scarface: Dress and Excess | Clothes on Film

    The arrival of Scarface (1983, directed by Brian De Palma) on Blu-ray grants ideal opportunity to indulge the film’s exemplary costumes by Patricia Norris. In its bogus world of clashing colours and mix fabrics, drug lord Tony Montana (Al Pacino) is the model of gangster symbolism, while steely dame Elvira (Michelle Pfeiffer) has become a pin-up for the disco couture era; both characters are as psychologically screwed up as each other. Tony arrives in Miami, Florida, 1980 as a refugee from Cuba. His Caribbean heritage and lack of cash is demonstrated by a fondness for loose fitting, short sleeve island shirts. These are so gaudy that during the infamous chainsaw…

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    Dual Analysis: The Big Lebowski – KB's Thoughts | Clothes on Film – Part 10994

    Part two of a Dual Analysis with KB from FrockTalk.com. This movie is brilliantly designed in that the characters are concisely and efficiently illustrated. These characters are clearly defined from the beginning, and their costumes tell us exactly who they are from the moment we meet them. In this sense, they are archetypes, strongly drawn and easily recognized. For a movie as wacky and all over the place as The Big Lebowski, the visual simplicity of these characters helps the audience to stay engaged. Example: Jeffrey “The Dude” Lebowski. Here is what he wears when we first meet him: He’s in public, wearing a bathrobe, buying half and half, paying…

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    Dual Analysis: The Big Lebowski – Chris' Thoughts | Clothes on Film – Part 9316

    Following on from an insightful chat about The Big Lebowski, here is part one of our Dual Analysis costume review with Kristin M. Burke from FrockTalk.com. Fewer motion pictures have warranted so much over analysis as The Big Lebowski (1998). The Coen Brothers, extraordinarily talented as they are, simply did not write all the hidden meanings that magazines, blogs, and now even books have subscribed to the piece. The Big Lebowski is a far-out fun detective homage, just not as deep as some people think. So without disappearing on our own magic carpet ride, let’s have a look at the film’s costume design by Mary Zophres (Ghost World, 2001; A…

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    Star Wars: Interview with Michael Kaplan | Clothes on Film – Part 35883

    Surely we all know Michael Kaplan by now? Flashdance (1983), Fight Club (1999), Burlesque (2010), Star Trek (2009), and the biggest of the big, Star Wars: The Force Awakens. Versatile is not a generous enough word for his talent; he is literally one of the best in the business, as his CDG (Costume Designers Guild) nomination for Star Wars goes some way to proving. I spoke to Mr Kaplan just after Christmas about his work for The Force Awakens, but due to unforeseen circumstances (basically Clothes on Film HQ flooding), this interview is only being posted now. Still much to enjoy though, and plenty of costume titbits to sift through.…

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    Recreating the Levi Spring Bottom Pants Advert from 1905 | Clothes on Film – Part 35185

    Levi’s® Spring Bottom pants are a most fascinating garment. Introduced in 1889 they are essentially jean trousers intended for Victorian (and later Edwardian) gentlemen. This is the first time Levi’s had focused their products on such an audience. Previously their stock in trade was miners and loggers, but this was a very early attempt by the company to branch out. Spring Bottom pants are a classic item of denim history, yet most folk have probably never heard of them. With this in mind we contacted costume designer Jenny Beavan recently and asked if she would consider putting them in the next Sherlock Holmes film. No-one was paying us to do…

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    Grace Slick Wears Woodstock | Clothes on Film – Part 35468

    “We are stardust, we are golden”, sang Joni Mitchell of the Woodstock Music and Art Fair, held August 15-18th 1969, at a dairy farm in the Catskills near the hamlet of White Lake in the town of Bethel, New York. The irony was, she wasn’t even there. A further irony follows in that whilst a myriad of psychedelic colours are synonymous with the Woodstock nation, one of the most revered choices of dress, clearly shown in the documentary Woodstock (1970) is a simple white leather fringed lace-up tunic-style vest and bell bottom trousers. It is worn by one of the first female rock stars, the lead singer of Jefferson Airplane,…