silk | Clothes on Film – Part 2

Oz is here and as far as fantasy costume is concerned, you are in for some surprises.

The glossy costume world of gangster squad is faithful to history, but not a slave to it.

The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close).

A look at the costumes you can expect to see and enjoy at Designing 007: Fifty Years of Bond Style.

In a week of exciting trailers, the first for director Baz Luhrmann’s adaptation of The Great Gatsby must surely be the most thrilling of all.

Doris Day’s last hurrah for 1950s fashion wearing some of the most exquisite costumes ever seen on screen.

Edith Head’s costume design for Vertigo demonstrates the power of clothes in forming identities on-screen.

Gena Rowlands’ costumes as Gloria evocate character through a fashionable capsule wardrobe.

With exclusive insight from costume designer Catherine Marie Thomas, we analyse Sandra Bullock’s low volume, big impact wardrobe in The Proposal.

Clothes on Film talk exclusively to costume designer of The Artist, Mark Bridges.

There is a man on Boardwalk Empire with even more sartorial presence than Nucky Thompson; That man is Chalky White.