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    pagoda shoulder | Clothes on Film

    Or when your costumes look like a building. Odile Dicks-Mireaux’s designs for High Rise (2016) are far more than that. But for a film set in such a heavily stylised world, especially one created by sci-fi author J.G. Ballard, homogeny is everything. In fact homogeny is terrifying. Everything is reflected in the aesthetic. The building towers, Tom Hiddleston’s trouser legs tower, and Luke Evans towers over everyone.  Director Ben Wheatley has claimed that he did not want High Rise to look like a ‘greatest hits of the seventies‘, but really that’s exactly what he’s got, certainly in terms of costume design – and that’s okay. It might not be the…

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    waistcoat | Clothes on Film – Part 2

    Lucie Bates exclusively discusses her work on Hanna, inducing parodies, subtext and working with Giorgio Armani. A trailer for The Woman in Black arrives bringing that spooky sense of dread that only Victorian costume can provide. The trailer for The Three Musketeers affords the briefest peek at those 17th century costumes. Costume designer Louise Mingenbach worked closely with Zach Galifianakis to create Ethan’s camp and blissfully unaware look. Final part of our analysis of Sherlock Holmes complete with insight from costume designer Jenny Beavan. With insight from costume designer Jenny Beavan, we commence our sartorial analysis of Sherlock Holmes. Sean Connery wore an elegant Victorian coat in The First Great…