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    Emmy | Clothes on Film

    On the eve of Boardwalk Empire: Season 2 commencing, we had a chat with the show’s costume designers John Dunn and Lisa Padovani. Video: Clothes on Film chat exclusively to costume designer Joan Bergin about her extraordinary work on The Tudors.

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    Ben Whislaw | Clothes on Film

    A new trailer for Jane Campion’s Bright Star has hit the web. The film looks to be a meticulous showcase for early 19th century dress. Lord Christopher Laverty Comments Off on Bright Star Trailer Online: 19th Century Costumes Afoot 31 Jan ’20 7 Sep ’12 26 Apr ’18

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    babydoll nightdress | Clothes on Film

    When Arnold Scaasi opened his couture salon in 1964, he soon became a couturier to the stars. He was already a favoured designer for Barbra Streisand when he famously dressed her for the 1969 Oscars. Streisand was up for Best Actress for her movie debut in Funny Girl and was established as something of an ‘individual’; usually described as ‘kooky’, she was completely different from anyone else, an innovator of style, and challenging and changing the ideas of beauty. So it is no surprise that when it came to her clothing choice for the Oscars, Streisand resisted the usual protocol of an evening gown and instead opted for a most…

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    On a Clear Day You Can See Forever | Clothes on Film

    When Arnold Scaasi opened his couture salon in 1964, he soon became a couturier to the stars. He was already a favoured designer for Barbra Streisand when he famously dressed her for the 1969 Oscars. Streisand was up for Best Actress for her movie debut in Funny Girl and was established as something of an ‘individual’; usually described as ‘kooky’, she was completely different from anyone else, an innovator of style, and challenging and changing the ideas of beauty. So it is no surprise that when it came to her clothing choice for the Oscars, Streisand resisted the usual protocol of an evening gown and instead opted for a most…

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    Michael Caine in Pulp | Clothes on Film – Part 12560

    Pulp (1972) stars Michael Caine as Mickey King. Strolling around Malta in a white cord suit and kipper tie, he is the epitome of badly folded cool. Pulp was written and directed by Mike Hodges as only his second feature. It reunited the director with Michael Caine one year after they made grim, seminal revenge thriller Get Carter together. Often described as the ‘anti-Carter’, this film, as its title suggests, is happy to be its low-brow cousin. Caine as apathetic yet successful novelist Mickey King is drawn into a world of sub-007 spy and murder shenanigans when he accepts the job of ghost writer for a reclusive actor’s autobiography. It’s…