This is the most conspicuous outfit Grace Kelly as Frances Stevens wears in To Catch a Thief (1954), principally because there is little narrative justification for it being so elaborate. Her 18th century lamé gown, for example, is deliberately ostentatious. It is costume designer Edith Head’s show stopping finale, intended to throw all attention onto Frances as part of her and John Robie’s (Cary Grant) elaborate ruse. This exotic beach wear, however, is jarringly visible for no other reason than because Frances enjoys attention; far from ingratiating her to Robie, or us, she is presented as self-admiring and rather childish. Note how Frances pauses for a moment on entering the…

Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local cinema. The strength of this friendship is only surpassed in intensity by the boy’s deep desire to become a part of the world of movie making. This is a story not about the medium of film in itself, but about the real people whose lives are illuminated by the stories it relates. As a tale primarily of ordinary Roma people, the costumes in Cinema Paradiso, as designed by Beatrice Bordone, help create a 1940s/50’s period…

Marina Roberti is the costume designer of the Italian box office hit Sole a Catinelle. She has worked in the US with the likes of Milena Canonero, Sandy Powell and Dante Ferretti… How did you become a costume designer? When I was a kid I was a bumbler at school. I spent all the time drawing and reading. My parents were kind of worried so they decided to enroll me at a fashion college in Turin, my home town. During my last school year they took us to Rome to visit the National Film School. Next year I decided to try and join the school. I thought I could never…

Marina Roberti is the costume designer of the Italian box office hit Sole a Catinelle. She has worked in the US with the likes of Milena Canonero, Sandy Powell and Dante Ferretti… How did you become a costume designer? When I was a kid I was a bumbler at school. I spent all the time drawing and reading. My parents were kind of worried so they decided to enroll me at a fashion college in Turin, my home town. During my last school year they took us to Rome to visit the National Film School. Next year I decided to try and join the school. I thought I could never…

Anuvahood showcases urban wear swagger. If you want to belong, you must fit in. Lord Christopher Laverty 5 Comments 4 Feb ’11 15 Aug ’11 26 Jun ’13

Award winners from the CDG included Monique Prudhomme for The Imaginarium of Doctor Parnassus and Sandy Powell for Young Victoria. Lord Christopher Laverty Comments Off on Costume Designers Guild Award for Doctor Parnassus 10 Jun ’11 22 Oct ’10 27 Aug ’09

When Arnold Scaasi opened his couture salon in 1964, he soon became a couturier to the stars. He was already a favoured designer for Barbra Streisand when he famously dressed her for the 1969 Oscars. Streisand was up for Best Actress for her movie debut in Funny Girl and was established as something of an ‘individual’; usually described as ‘kooky’, she was completely different from anyone else, an innovator of style, and challenging and changing the ideas of beauty. So it is no surprise that when it came to her clothing choice for the Oscars, Streisand resisted the usual protocol of an evening gown and instead opted for a most…

Tales from the costume crypt. The Talented Mr Ripley Remembering the stellar work of Ann Roth and Gary Jones. Blue Jasmine Costume designer Suzy Benzinger on budgets, Fendi and Cate Blanchett. The Butler Transformations…Ruth Carter discusses mimicking classic fashion designers such as Bill Blass to recreate Nancy Reagan (played by Jane Fonda). Jenn Rogien The Girls’ costume designer is now Gap’s official ‘styled by’ expert. Orange is the New Black More Miss Rogien, this time talking authenticity and maxi-pad shoes. Roman Holiday Just brilliant costume analysis of the film by DTSFT. Elysium A brief chat with costume designer April Ferry. Unsurprisingly, it was Jodie Foster who brought Armani on board.…

Exclusive Q&A with costume designer Amy Westcott about the After Earth life suit. Lord Christopher Laverty 3 Comments 26 Apr ’10 28 Sep ’12 4 Mar ’13

Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local cinema. The strength of this friendship is only surpassed in intensity by the boy’s deep desire to become a part of the world of movie making. This is a story not about the medium of film in itself, but about the real people whose lives are illuminated by the stories it relates. As a tale primarily of ordinary Roma people, the costumes in Cinema Paradiso, as designed by Beatrice Bordone, help create a 1940s/50’s period…