colour | Clothes on Film – Part 2
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The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.
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Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless.
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Wes Anderson’s most sartorially significant film yet.
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Gena Rowlands’ costumes as Gloria evocate character through a fashionable capsule wardrobe.
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Clothes on Film on the costume design for HBO’s immense fantasy series, Game of Thrones.
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Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film.
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Hugo is Scorsese’s monument to wonder and excitement. Here Sandy Powell exclusively explains her costume choices to Clothes on Film.
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On the eve of Boardwalk Empire: Season 2 commencing, we had a chat with the show’s costume designers John Dunn and Lisa Padovani.
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The international trailer for Black Swan brings anticipation to the max.
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We have it on good authority that Black Swan is ‘spectacular’ so here are some striking images to get you in ‘that place’.