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colour | Clothes on Film – Part 2

  • The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

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  • Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless.

  • Wes Anderson’s most sartorially significant film yet.

  • Gena Rowlands’ costumes as Gloria evocate character through a fashionable capsule wardrobe.

  • Clothes on Film on the costume design for HBO’s immense fantasy series, Game of Thrones.

  • Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film.

  • Hugo is Scorsese’s monument to wonder and excitement. Here Sandy Powell exclusively explains her costume choices to Clothes on Film.

  • On the eve of Boardwalk Empire: Season 2 commencing, we had a chat with the show’s costume designers John Dunn and Lisa Padovani.

  • The international trailer for Black Swan brings anticipation to the max.

  • We have it on good authority that Black Swan is ‘spectacular’ so here are some striking images to get you in ‘that place’.