shirt | Clothes on Film – Part 2
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With exclusive insight from costume designer Aggie Guerard Rodgers, we investigate the story behind Harry Caul’s distinctive plastic raincoat.
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Sonia Grande’s costume design for Midnight in Paris offers everything we expect of 1920s Paris and the contemporary nouveau riche.
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Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.
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Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth.
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Editor Chris Laverty explains how to ‘read’ costume on film. From an article originally published in Moviescope magazine.
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Matt Spaiser, creator of The Suits of James Bond blog, analyses the style of 007 in the film that started it all – Dr. No.