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shirt | Clothes on Film – Part 2

  • With exclusive insight from costume designer Aggie Guerard Rodgers, we investigate the story behind Harry Caul’s distinctive plastic raincoat.

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  • Sonia Grande’s costume design for Midnight in Paris offers everything we expect of 1920s Paris and the contemporary nouveau riche.

  • Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.

  • Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth.

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  • Editor Chris Laverty explains how to ‘read’ costume on film. From an article originally published in Moviescope magazine.

  • Matt Spaiser, creator of The Suits of James Bond blog, analyses the style of 007 in the film that started it all – Dr. No.

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