Stoker | Clothes on Film – Clothes on film

Two weeks of juicy costume links. Sandy Powell A costumer who needs no introduction. This Sunday at the J. Paul Getty Museum she discusses the use of period photographs in her process. Puttin’ on the Glitz Tyranny of Style contributor Sophia Shillito recaps the British Library’s night of jazz, costume, gangsters, fashion and cocktails. Costume Test Photographs Costume tests for famous movies! Vera Miles as Madeleine! Vikings Joan Bergin talks Vikings season 2 addressing why the show hasn’t received any costume noms. It’s not very good, which may be factor, though that has nothing to do with the costumes. Saddle Shoes Lots and lots of saddle shoes, from Twin Peaks…
Here is a brief extract from editor Chris Laverty’s third ‘Fabric of Cinema’ column for international periodical Arts Illustrated. The main reason for a plug is the subject matter discussed: colour, without doubt one of the most fascinating aspects of theoretical costume study. Colour is so open to interpretation that any occasion costume designers dare to use it with intentional meaning constitutes a brave move. One of the finest costume events of the year so far, Stoker, provides just such an example. Costumers Kurt and Bart deliberately incorporated colour as a form of expression to be read alongside the film’s similarly intentional production design. A preview of the Arts Illustrated…
Kurt and Bart are fascinating. Forged as art school drop outs in 1980s New York, their name is now a singular brand to movers and shakers in the media industry. Yet they are two people, two very real people: Kurt Swanson and Bart Mueller, renowned costume designers and wardrobe stylists for film, stage, TV and commercials. Since the early 2000s, Kurt and Bart have really stepped up their work costume designing film (forgive the pun but they actually did costume Step Up 3D), although runaway hit Stoker is arguably their highest profile feature yet. In fact Stoker is the most beguiling film of 2013 so far for costume. This is…
It’s all about the shoes in Stoker.