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Rian Johnson | Clothes on Film
MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes…
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fur trim | Clothes on Film
Public Enemies demonstrates how costume can actually drive a story narrative. Lord Christopher Laverty 4 Comments 19 Oct ’09 6 Jun ’18 28 Sep ’09
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Dreamgirls | Clothes on Film
As Get on Up, director Tate Taylor’s look at the life of singing legend James Brown, hits UK screens we have some fantastic sketches to share of the film’s costuming. Costume designer for Get on Up is the one and only Sharen Davis, who previously worked with Taylor on The Help, although you may know her better for Devil in a Blue Dress, Dreamgirls, Ray and Django Unchained. Davis is absurdly talented and every single project she undertakes should be greeted with cheers by any costume fan. Get on Up with its collective of lowly, stage and civvie ensembles worn by Chadwick Boseman as adult James Joseph Brown (60+changes) is……
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Frederick Sholte | Clothes on Film
Public Enemies demonstrates how costume can actually drive a story narrative. Lord Christopher Laverty 4 Comments 23 Dec ’11 6 Oct ’09 28 Sep ’09
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turn ups | Clothes on Film
Public Enemies demonstrates how costume can actually drive a story narrative. Lord Christopher Laverty 4 Comments 11 Apr ’14 19 Oct ’09 10 May ’11
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Buggin Out | Clothes on Film
Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film. Contributor 6 Comments 9 Mar ’12 26 Oct ’10 11 May ’10
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Rear Window: Grace Kelly's Paris Dress | Clothes on Film – Part 693
Grace Kelly (as Lisa Fremont) wears five separate outfits in Rear Window (1954) including one negligee. Three of these are exceptional standouts, each neatly representing a different sector of 1950s women’s fashion: dress, casual and tailored. All will be covered in time, but for now let’s start with the ‘fresh from the Paris plane’ dress, as designed by Edith Head, unquestionably the most famous movie costumer of all time; known for her clean and elegant ‘taste maker’ style: Fitted black bodice with deep V cut down to the bust and rear to the small of the back, off the shoulder neckline, cap sleeves. Here Head actually seems to pre-date the…
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Roman Holiday | Clothes on Film
Tales from the costume crypt. The Talented Mr Ripley Remembering the stellar work of Ann Roth and Gary Jones. Blue Jasmine Costume designer Suzy Benzinger on budgets, Fendi and Cate Blanchett. The Butler Transformations…Ruth Carter discusses mimicking classic fashion designers such as Bill Blass to recreate Nancy Reagan (played by Jane Fonda). Jenn Rogien The Girls’ costume designer is now Gap’s official ‘styled by’ expert. Orange is the New Black More Miss Rogien, this time talking authenticity and maxi-pad shoes. Roman Holiday Just brilliant costume analysis of the film by DTSFT. Elysium A brief chat with costume designer April Ferry. Unsurprisingly, it was Jodie Foster who brought Armani on board.…
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roll neck | Clothes on Film
Jacques D’Azur is missing, so take his place. Here are some tips from the flicks on how to succeed that sultan of sophistication.
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Italian suit | Clothes on Film
Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity. Contributor 8 Comments 11 Nov ’10 29 Aug ’13 22 Sep ’09