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    Mickey Rourke | Clothes on Film

    The scruffy gumshoe style of Mickey Rourke in Angel Heart (1987). With very special trousers. Lord Christopher Laverty Comments Off on The Gumshoe Chic of Mickey Rourke in Angel Heart (1987) 18 May ’12 19 Jun ’10 22 Sep ’09 The costumes of Rumble Fish express the importance of teenage dress codes before the segregating journey into adulthood. Contributor 4 Comments 16 Feb ’13 11 May ’10 7 Feb ’14 A satisfactory start to the summer blockbuster season. Lord Christopher Laverty 8 Comments 15 Jul ’13 17 May ’13 19 May ’13

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    Nigel Egerton | Clothes on Film

    Locke (2013, costume design by Nigel Egerton) is a film unique in its restrictions – it takes place in real time, has only one character and only one setting. Ivan Locke (Tom Hardy) is driving somewhere important, and over the course of the film’s 85 minute running time, his life gradually begins to crumble around him as he desperately tries to salvage it. The controlled environment – the inside of his car – and the fact that the only character we actually see is Ivan himself means that interest in him is the only way of maintaining an audience’s attention with such limited visual stimulation. Ivan is the only character…

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    wristwatch | Clothes on Film

    Locke (2013, costume design by Nigel Egerton) is a film unique in its restrictions – it takes place in real time, has only one character and only one setting. Ivan Locke (Tom Hardy) is driving somewhere important, and over the course of the film’s 85 minute running time, his life gradually begins to crumble around him as he desperately tries to salvage it. The controlled environment – the inside of his car – and the fact that the only character we actually see is Ivan himself means that interest in him is the only way of maintaining an audience’s attention with such limited visual stimulation. Ivan is the only character…

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    colour | Clothes on Film – Part 2

    The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level. Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Wes Anderson’s most sartorially significant film yet. Gena Rowlands’ costumes as Gloria evocate character through a fashionable capsule wardrobe. Clothes on Film on the costume design for HBO’s immense fantasy series, Game of Thrones. Ruth E. Carter’s work on Do the Right Thing is a masterclass in how costume can influence the look and feel of a film. Hugo is Scorsese’s monument to wonder and excitement. Here Sandy Powell exclusively explains her…

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    Out of the Furnace | Clothes on Film

    That’s it then. Happy holidays everyone! Her This is a good article. Will Joaquin Phoenix wearing high waisted trousers in Her bring about a return of the look on the high street? We really hope so. Low and skinny is as dead as disco. Acutally disco is still awesome, but you get our point. The Butler HUGE analysis and discussion of The Butler from simply wonderful costume designer Ruth E. Carter. Marvel’s Agents of S.H.I.E.L.D We tried to watch this show but it made us feel old. That said the costumes by Ann Foley look spiffy. Read Tyranny of Style’s interview (with illustrations and inspiration board) to discover more. Batman…

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    red dress | Clothes on Film – Part 2

    Some images and the latest trailer from Water for Elephants. Period costume design by Jacqueline West. The Debbie Reynolds costume collection is up for sale. Darn you, worldwide recession! The bleakest Potter outing yet. Harry subverts his identity to get lost in the crowd during this blistering new trailer for New Harry Potter and the Deathly Hallows: Part I. If you like Potter, you are going to like this. Cannot say fairer than that. We get a lot of questions at Clothes on Film about where to buy garments similar to those seen in the movies. Emerges as Quentin Tarantino’s most polished work to date.

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    cable knit | Clothes on Film

    Locke (2013, costume design by Nigel Egerton) is a film unique in its restrictions – it takes place in real time, has only one character and only one setting. Ivan Locke (Tom Hardy) is driving somewhere important, and over the course of the film’s 85 minute running time, his life gradually begins to crumble around him as he desperately tries to salvage it. The controlled environment – the inside of his car – and the fact that the only character we actually see is Ivan himself means that interest in him is the only way of maintaining an audience’s attention with such limited visual stimulation. Ivan is the only character…