Jeans | Clothes on Film – Part 2

Who might win for costume design at the Orange BAFTA Film Awards?

Crazy, Stupid Love is every inch the ‘fashion film’, both in terms of narrative and costume designer Dayna Pink’s elegant menswear styling.

Rooney Mara’s Lisbeth will be a style icon.

For a guy who prefers the synthetic appeal of satin and alloy, physical contact is a violent business.

Beautiful and affecting, even if it does collapse under the weight of its own earnestness at times.

Jackson Pollock spawned a thousand imitators in the art world when he chose to work in denim jeans.

La Femme Nikita re-defines the little black dress on film.

Denim legitimises Warren Beatty’s character as a man capable of more than posing.

Though George Clooney is excellent, The American fails to hit the emotional notes expected.

Costume designer Carloine Harris has recreates the vibrant look of the 1970s.

Denim re-invented Audrey Hepburn from stylish and chic to cheeky and tomboyish.

Did you know that Calvin Klein has re-released the white dress that Alicia Silverstone made famous in Clueless? Yes, you probably did.