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BlogalongaBond | Clothes on Film
Think Lulu’s theme song is the loudest thing in The Man with the Golden Gun? Think again. As TracyDi Vicenzo in OHMSS, Diana Rigg wore a daring 1960s wedding ensemble. The blue towelling playsuit in Goldfinger is typically remembered as Bond’s one sartorial disaster. Yet it might be worthy of reconsideration.
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Tim Pelan | Clothes on Film
Catch up with the costume gossip you’ve missed. Godzilla “Contemporary in design with a multitude of uniforms”, says costume designer Sharen Davis. We remember chatting to Ms. Davis about her work on Godzilla during an interview for Django Unchained – she was so stoked to be working with director Gareth Edwards. X-Men: Days of Future Past Q&A with ace Louise Mingenbach which we haven’t read because we haven’t seen the movie yet. Indiana Jones and the Temple of Doom For the film’s 30th birthday an enticing look back at Anthony Powell’s costume design by Tim Pelan for Cinetropolis. Game of Thrones More secrets in the costumes, unless you want to…
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Karen Lynn Gorney | Clothes on Film
Establishing a new feature at Clothes on Film, the following review is written in collaboration with costume designer Kristin M. Burke.
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The Observer | Clothes on Film
From The Observer, Bill Nighy lists five things he knows about style. Lord Christopher Laverty 3 Comments 27 Jan ’10 21 Sep ’11 22 Apr ’10
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Italy | Clothes on Film
Following a trip to Rome, Betty dons the latest in European chic – a colourful maxi dress that belongs in sleepy Ossining just about as much as she does.
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Rome | Clothes on Film
Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local cinema. The strength of this friendship is only surpassed in intensity by the boy’s deep desire to become a part of the world of movie making. This is a story not about the medium of film in itself, but about the real people whose lives are illuminated by the stories it relates. As a tale primarily of ordinary Roma people, the costumes in Cinema Paradiso, as designed by Beatrice Bordone, help create a 1940s/50’s period……
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Tron Legacy: Light Suit Costume | Clothes on Film – Part 15850
In Tron Legacy, the light suit exemplifies two key facets of the mythology: light, as in energy, and ‘disc’ – lifeblood of the wearer. This suit is a meticulously designed ‘second skin’ that integrates seamlessly into director Joseph Kosinski’s vision of the Tron story universe. Here we examine the design of the new light suit including background to its creation, construction, symbolism and application in Tron Legacy. ‘The Grid’ is such a heavily computer generated world that the light suit was considered a practical means of bringing this environment to life for actors. Moreover, to physically illuminate each suit in post-production would have been too expensive. Costume designers Michael Wilkinson,…
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Ray Holman | Clothes on Film
Doctor Who, the quirky British sci-fi television series about a time travelling alien and his friends, premiered in 1963. Since then there have been twelve Doctors (and a War Doctor), each with their own unique looks to match their unique and often eccentric personalities. With the debut of the Twelfth Doctor fast approaching, this post takes a look back at the three Doctors we’ve seen so far (not including the War Doctor) on Doctor Who since it was rebooted in 2005 (or New Who, as some like to call it) and guesses at what we can expect from Doctor number twelve. The Ninth Doctor (Christopher Eccleston) arrived on our screens……
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Reservoir Dogs: Gangster Silhouette | Clothes on Film – Part 24863
Betsy Heimann’s costume design for Reservoir Dogs (1992) spawned a legacy in pop culture and fashion that is still being felt today. Heimann and director Quentin Tarantino determined a cinematic sub-genre by redefining the appearance of the petty gangster. From shambolic to symbolic; a man in a black suit, white shirt and black tie walking in slow motion is possibly the single most memorable costume image of the nineties. Here talking exclusively to Clothes on Film, Ms. Heimann describes how the Reservoir Dogs look came together: “I am very pleased that the narrow silhouette I created influenced and still influences men’s fashion” she offers. “I think that Quentin is responsible…
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Caesar Flickerman | Clothes on Film
A fun glimpse at the bizarre fashions to expect in Catching Fire thanks to costume designer Trish Summerville. Lord Christopher Laverty 1 Comment 17 Mar ’17 21 Jul ’10 15 Sep ’09 Judianna Makovsky’s costume design provides an intentional method of understanding The Hunger Games’ politics. Lord Christopher Laverty 10 Comments 11 Mar ’10 14 Jul ’17 1 Oct ’09