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Danièle Boutard | Clothes on Film
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Lord Christopher Laverty 1 Comment 16 Jan ’12 31 Jan ’20 9 Oct ’09
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20th century | Clothes on Film
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Lord Christopher Laverty 1 Comment 9 Jul ’12 2 Jul ’13 20 Jan ’14
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funnel neck | Clothes on Film
Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. Contributor 2 Comments 4 Oct ’10 26 Oct ’11 13 Oct ’09
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Pete Campbell | Clothes on Film
Our thoughts on the costume design in the season 6 premiere of Mad Men. Lord Christopher Laverty 2 Comments 11 Oct ’11 18 May ’09 24 Jun ’11
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secretary | Clothes on Film
Costume designer Ann Roth’s template for Working Girl (1988, directed by Mike Nichols) is especially astute with regards to the social and geographical make up of its characters. Protagonist Tess McGill (Melanie Griffith) is a homely girl raised and living in Staten Island, New York. Currently working as a secretary in Manhattan (not ‘executive assistant’, reflecting vernacular of the time), as is her best friend Cynthia (Joan Cusack). Tess, however, has gained a degree through night school and harbours ambitions to use it for more constructive tasks than answering the telephone and fetching toilet paper for bawdy stockbrokers. After being set up for a ‘date’ that turned out to be…
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Tess McGill | Clothes on Film
Costume designer Ann Roth’s template for Working Girl (1988, directed by Mike Nichols) is especially astute with regards to the social and geographical make up of its characters. Protagonist Tess McGill (Melanie Griffith) is a homely girl raised and living in Staten Island, New York. Currently working as a secretary in Manhattan (not ‘executive assistant’, reflecting vernacular of the time), as is her best friend Cynthia (Joan Cusack). Tess, however, has gained a degree through night school and harbours ambitions to use it for more constructive tasks than answering the telephone and fetching toilet paper for bawdy stockbrokers. After being set up for a ‘date’ that turned out to be…
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House of Tolerance | Clothes on Film
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Lord Christopher Laverty 1 Comment 12 Aug ’11 29 Sep ’10 29 Jun ’11
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S bend corset | Clothes on Film
French costume designer Anaïs Romand discusses her work on House of Tolerance (L’Apollonide: Souvenirs de la maison close). Lord Christopher Laverty 1 Comment 14 Jul ’11 9 Sep ’11 29 Jun ’11
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flare | Clothes on Film
Levi’s® Spring Bottom pants are a most fascinating garment. Introduced in 1889 they are essentially jean trousers intended for Victorian (and later Edwardian) gentlemen. This is the first time Levi’s had focused their products on such an audience. Previously their stock in trade was miners and loggers, but this was a very early attempt by the company to branch out. Spring Bottom pants are a classic item of denim history, yet most folk have probably never heard of them. With this in mind we contacted costume designer Jenny Beavan recently and asked if she would consider putting them in the next Sherlock Holmes film. No-one was paying us to do…
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Tiffany and Co | Clothes on Film
Armour and indecisiveness: Audrey Hepburn is more than a little black dress in Breakfast at Tiffany’s. Contributor 2 Comments 18 May ’09 11 Oct ’11 5 Jun ’15