Clothes on film

By Christopher Laverty

  • Christopher Laverty 1977-2021
  • About, Editor and Contributors
  • Writers & Contact
  • Christopher Laverty 1977-2021
  • About, Editor and Contributors
  • Writers & Contact
  • December 2023
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • February 2016
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • April 2015
  • March 2015
  • February 2015
  • October 2014
  • July 2014
  • March 2014
  • January 2014
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • January 2012
  • December 2011
  • July 2011
  • December 2010
  • September 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • November 2009
  • October 2009
  • September 2009
  • August 2009

Archives

  • December 2023
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • February 2016
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • April 2015
  • March 2015
  • February 2015
  • October 2014
  • July 2014
  • March 2014
  • January 2014
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • January 2012
  • December 2011
  • July 2011
  • December 2010
  • September 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • February 2010
  • January 2010
  • November 2009
  • October 2009
  • September 2009
  • August 2009

Categories

  • Uncategorized
  • Uncategorized

    Joel Harlow | Clothes on Film

    December 6, 2020 /

    There is not man behind the mask; the mask is The Lone Ranger. Lord Christopher Laverty 1 Comment 3 Jun ’11 12 Dec ’09 5 Jul ’13

    read more
    nickj 0 Comments
  • Uncategorized

    Bouvier | Clothes on Film

    December 6, 2020 /

    Unquestionably the most historically significant outfit Katie Holmes as Jackie Kennedy wears in the show is her rose pink tweed suit. Lord Christopher Laverty 3 Comments 5 May ’09 6 Jun ’18 17 Nov ’11

    read more
    nickj 0 Comments
  • Uncategorized

    skinny tie | Clothes on Film

    December 6, 2020 /

    American Gigolo is not about its protagonist, it is about what he wears. American Gigolo is about Armani.

    read more
    nickj 0 Comments
  • Uncategorized

    narcissism | Clothes on Film

    December 6, 2020 /

    American Gigolo is not about its protagonist, it is about what he wears. American Gigolo is about Armani.

    read more
    nickj 0 Comments
  • Uncategorized

    Nucky Thompson | Clothes on Film

    December 6, 2020 /

    For HBO Sessions part 2, Clothes on Film editor Chris Laverty was invited to discuss the costume design of Boardwalk Empire. There is a man on Boardwalk Empire with even more sartorial presence than Nucky Thompson; That man is Chalky White. On the eve of Boardwalk Empire: Season 2 commencing, we had a chat with the show’s costume designers John Dunn and Lisa Padovani.

    read more
    nickj 0 Comments
  • Uncategorized

    Katie Holmes | Clothes on Film

    December 6, 2020 /

    Unquestionably the most historically significant outfit Katie Holmes as Jackie Kennedy wears in the show is her rose pink tweed suit.

    read more
    nickj 0 Comments
  • Uncategorized

    grass widow | Clothes on Film

    December 6, 2020 /

    A prevalent theme in the first episode of Mildred Pierce starring is how domestic costume can be read as a signal for sexual availability.

    read more
    nickj 0 Comments
  • Uncategorized

    Costume Round Up: Any Colour so long as it's Black | Clothes on Film – Part 30477

    December 6, 2020 /

    The international trailer for The Wolverine was released this week. From a costume point of view the most interesting thing in it was Hugh Jackman wearing an awful lot of black. In the context of the story his character travels to Japan and falls in with a Yakuza clan. Black suits, shirts and ties are the unofficial uniform of the Yakuza, a look largely adopted from Hollywood gangster movies. The use of black in costume design denotes mystery, death and for want of a better word, ‘coolness’; it is as obviously symbolic as sexy red or cold blue. To honour The Wolverine and his tendency to layer black on black…

    read more
    nickj 0 Comments
  • Uncategorized

    Bond girl | Clothes on Film

    December 6, 2020 /

    A new compilation of sartorially revealing James Bond photographs by Terry O’Neill. As TracyDi Vicenzo in OHMSS, Diana Rigg wore a daring 1960s wedding ensemble.

    read more
    nickj 0 Comments
  • Uncategorized

    Designing 007 Exhibition: Costumes Galore | Clothes on Film – Part 27237

    December 6, 2020 /

    On 6th July, Clothes on Film were invited to the Designing 007 launch party in London. Apart from quaffing complimentary Bollinger and celeb spotting, we did make several circuits of the exhibition itself. As expected, Designing 007: Fifty Years of Bond Style has a pleasing emphasis on the sartorial, particularly female costume. Vintage discoveries mix with contemporary recreations from all 23 James Bond films in themed rooms dotted across the Barbican Centre. We will not spoil everything because if you can see the exhibition first hand, you should. The rooms themselves are fairly self explanatory: Gold, Ian Fleming, M’s Office, Q Branch, Casino, Foreign Territories, Villains and Enigmas, and Ice…

    read more
    nickj 0 Comments
 Older Posts
Newer Posts 

Recent Posts

  • Christopher Laverty 1977-2021
  • Review: Jane Eyre at Haddon Hall | Clothes on Film
  • Clothes from now | Clothes on Film
  • Review: Mission Impossible – Ghost Protocol | Clothes on Film
  • A Cat of a Certain Breed: Breakfast at Tiffany’s | Clothes on Film

Recent Comments

No comments to show.
Ashe Theme by WP Royal.