double breasted | Clothes on Film
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In the very opening scene of Rocky (1976, costume designer Robert Cambel), we see the title character in the ring, bare chested, hands encased in boxing gloves, the picture of sporting violence and masculinity. But this is no more than a surface assumption. Not two minutes later, we see Rocky Balboa (Sylvester Stallone) shrug on his faded brown towelling dressing gown, with “The Italian Stallion” embroidered on the back, and things start to shift. This is not a macho film concerned with the fight alone, but an exploration of masculinity in all its guises – the assumptions, the pretence and the reality. Clothes play an important part in this, both…
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This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie: Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket…
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The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. If The Italian Job (1969) needs any introduction at all it might be possible you’ve been in a coma for the past 40 years. It’s so well known and so well loved that were it not for the fact that no-one has really delved into the sartorial details of Michael Caine’s suits there would be nothing left to talk about. As it happens we have spent time studying and researching The Italian…
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The glossy costume world of gangster squad is faithful to history, but not a slave to it.
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Costume designer Michael Kaplan took time away from Star Trek 2 to chat exclusively to Clothes on Film about Ghost Protocol.
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Groundbreaking film La Dolce Vita offers a conflicting portrayal of masculinity.
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Mark Bridges exclusively explains his costume choices for retro epic Boogie Nights.
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There is a man on Boardwalk Empire with even more sartorial presence than Nucky Thompson; That man is Chalky White.
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Public Enemies demonstrates how costume can actually drive a story narrative.
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Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.
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The range of Edwardian coats cut for Dennis Price are recreated with remarkable historical accuracy.