Vogue | Clothes on Film
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The first full-length trailer for Disney’s new live-action adaptation of Cinderella was this week and featured tantalising glimpses of what promises to be a visually gorgeous film. The costumes, designed by three time Academy Award winner Sandy Powell, appear to be absolutely stunning. With a clever mix of the eighteenth century, the 1830s, and a little 1950s couture thrown in for good measure (Powell has been quoted as saying she was aiming for the look of “a nineteenth-century period film made in the 1940s or ’50s”), Powell has created another jewel to add to her already over-bling crown. Here is a quick rundown of some of the looks we’ve been…
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Here’s a bit of justified promotion for an event you will absolutely want to see: fashion historian, DJ for Jazz FM, author and Clothes on Film contributor, Amber Jane Butchart, teams up with your very own editor, Christopher Laverty, for an exquisite evening entitled Puttin’ on the Glitz on 28th March in London. Taking place at the sumptuous, gorgeous, you-really-should-have-been-there-by-now British Library, Amber and Christopher present two separate talks pertaining to the 1920/30’s Jazz Era before coming together to answer questions from the audience. After that, there will be cocktails and period frivolities courtesy of The Vintage Mafia. It all starts at 6.30 pm and finishes around 10.30, so plenty…
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That is the long and the short of it: according to the wise words of this month’s Vogue India, Clothes on Film are one of the leading voices in digital fashion coverage. The exact words of their writer Dal Chodha were ‘game changer’, so we’ll happily run with that. You can read the full Vogue article in THIS PDF. We’re on page 156, the piece begins at p 148. Honestly we are not entirely sure what being bestowed such an honour means, but with names such as Victoria Beckham and Burberry included in the list we must be doing (and saying) something right. It does make Clothes on Film seem…
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It was a busy week in costume.
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The press love Prada’s involvement with The Great Gatsby, but exactly how much does this help the film’s costume design?
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A breezy retrospective of the most famous fashion editor of all time.
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Two trends in women’s fashion for 2011 are prints and turbans, empathised in the film Coming to America.
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To get you in the mood to derby, here are a few photos from Whip It illustrating its wild ‘thrown together’ style.
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R.J. Cutler discusses the challenges faced making Vogue documentary The September Issue.