Clothes from 1837-1919 | Clothes on Film – Part 2
Clothes from films set during Victorian/Edwardian era to post war
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There is not man behind the mask; the mask is The Lone Ranger.
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Fabrics jump out of the screen in this trailer for 12 Years a Slave.
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We chat to costume designer Gary Jones about his work on Oz the Great and Powerful.
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Lucinda Wright talks costume in The Suspicions of Mr Whicher: The Murder in Angel Lane.
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Oz is here and as far as fantasy costume is concerned, you are in for some surprises.
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Joanna Johnston chats about her work on Lincoln and what we can we can expect from her latest project Jack the Giant Slayer.
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The biggest compliment that can be paid to Joanna Johnston’s costumes in Lincoln is that you will hardly notice them.
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Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture.
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Django Unchained costume designer Sharen Davis exclusively explains her work on the film.
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Costume designer Sharen Davis finds a good fit with Tarantino; their Deep South bounty hunter Django is a visibly memorable protagonist crying out for a sequel.
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Les Misérables is drenched in costume symbolism, specifically revolutionary red, white and blue. Subtle was never its intention.
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The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.