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Roger Moore | Clothes on Film

  • It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle or ostentatious display can define character. Take James Bond, a man whose breeding was forced upon…

  • This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie: Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket…

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  • The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. If The Italian Job (1969) needs any introduction at all it might be possible you’ve been in a coma for the past 40 years. It’s so well known and so well loved that were it not for the fact that no-one has really delved into the sartorial details of Michael Caine’s suits there would be nothing left to talk about. As it happens we have spent time studying and researching The Italian…

  • George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall.

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  • A new compilation of sartorially revealing James Bond photographs by Terry O’Neill.

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  • A look at the costumes you can expect to see and enjoy at Designing 007: Fifty Years of Bond Style.

  • Costume designer Lindy Hemming chats exclusively to Clothes on Film about her contribution to Designing 007: Fifty Years of Bond Style.

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  • Think Lulu’s theme song is the loudest thing in The Man with the Golden Gun? Think again.

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  • Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth.

  • Looking so sexy that the finished film can be nothing but a huge disappointment, this teaser for Tinker, Tailor, Soldier, Spy ticks all the right 70’s boxes.

  • The blue towelling playsuit in Goldfinger is typically remembered as Bond’s one sartorial disaster. Yet it might be worthy of reconsideration.

  • Matt Spaiser, creator of The Suits of James Bond blog, analyses the style of 007 in the film that started it all – Dr. No.

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