Oscar nominated costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds (2009). It transpires that most of the film’s extraordinary costumes, including Diane Kruger’s brown suit and Julie Dreyfus’ ‘cat hat’, were constructed entirely from original designs by Anna Sheppard. Moreover all period jewellery was sourced from her own private collection, accumulated since working on Steven Spielberg’s holocaust drama Schindler’s List in 1993. Clothes on Film: Is it fair to say that the costumes in Inglourious Basterds are intended as ‘stylised’ as opposed to entirely historically accurate? Anna Sheppard: I wouldn’t call them stylised as such, simply they are maybe more flamboyant.…

It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle or ostentatious display can define character. Take James Bond, a man whose breeding was forced upon……

The costumes are somewhat…ahem….‘colourful’. Lord Christopher Laverty 3 Comments 18 Dec ’13 17 Feb ’12 7 Jun ’13

Sherlock Holmes 2 costume designer Jenny Beavan chats exclusively to Clothes on Film about what to expect in the finished film.

The scruffy gumshoe style of Mickey Rourke in Angel Heart (1987). With very special trousers. MINOR SPOILERS First Man (2018) is not a movie overly preoccupied with fashion, And why would it be? The focus of the story is astronaut Neil Armstrong (Ryan Gosling) and his journey to become the first person to ever walk on the surface of the moon. Armstrong wears a lot of button down shirts, short sleeve checks, neutral slacks, the odd dark single breasted suit for formal occasions – largely dour attire for a dour man. He also wears a space suit, several of them. However, outside of Emilio Pucci’s involvement in designing the logo…

Costume design is more than just period – much more. Contemporary costume has an even tougher job of defining character and establishing setting. Yet every once in a while a period film comes along with clothes, hats and accessories so impeccably researched and realised on screen that it is impossible not to get swept along in the majesty of the past. Predominately early 1930s set Lawless is one such example. Costume designer Margot Wilson (The Thin Red Line, The Proposition, The Road), has created one of the richest costume palettes of 2012, and all in a believable real world setting. Speaking exclusively to Clothes on Film, Ms. Wilson talks us…

Without pretending this will be as exhaustive as the Clothes on Film costume guide (parts ONE and TWO) for Sherlock Holmes (2009), here we go with a lighter, though still hopefully informative analysis of its sequel, A Game of Shadows (2011, directed by Guy Ritchie). Again the film’s costume designer has lent a hand, and again Oscar winner Jenny Beavan needs no further introduction. So not pausing for backstory or padding and on the assumption of spoilers ahead, let us begin… John Watson (Jude Law) is introduced first sitting at his desk in a grey herringbone tweed waistcoat, white striped stiff collar shirt and brown patterned necktie. Always in tweed,…

Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the……

Second and final part of Clothes on Film’s sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan. First of Clothes on Film’s two part sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan. Sherlock Holmes 2 costume designer Jenny Beavan chats exclusively to Clothes on Film about what to expect in the finished film.

The higher the waist, the closer to god. The Levi jacket worn by Ken Takakura as Ken Tanaka in Japan set thriller The Yakuza (1974, costume design by Dorothy Jeakins) is not Japanese denim. It was not made in Japan but is nonetheless representative of a time when denim as symbol of burgeoning Americana in the East would take off into the stratosphere, and has remained so ever since. Although Levi products were imported into Japan before the 1970s (Levi International was created in 1965), it was not until mid-decade that a Tokyo office was established. This was in response to growing popularity of all things American in Japan, especially…