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    2019 | Clothes on Film

    The latest MCU smash-hit, Spider-Man: Far From Home (2019), features one of the strangest villains in the wallcrawler’s rogues’ gallery. When it comes to movies based on comic books, the outfit a character like Mysterio wears is not supposed to work on-screen. On the printed pages of comics, the outfits can be impractical and outlandish, and nothing is more of those things than the villain’s fishbowl helmet, lavender cape fastened with giant eyes, and green, scaly tights. Still, costume designer for the film, Anna B. Sheppard, met the challenge of making a fantastic look for Jake Gyllenhaal’s villain. Instead of running away from the crazy roots of the character, she…

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    caretakers | Clothes on Film

    MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes…

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    battle dress | Clothes on Film

    Amongst staggering aural and visual assault, perhaps one of the quietest aspects of Dunkirk (2017, directed by Christopher Nolan) are its costumes – and this is to its credit. Dunkirk is the type of film that requires you to engage quickly with everything you see on screen. Jeffrey Kurland’s costume design is masterful in this regard. A sea of subtly differentiated green and brown with the pop of naval uniforms and briefly glimpsed civilian wear. This is 1940 at its most spare and rudimentary. Here, Jeffrey Kurland chats exclusively to Clothes on Film about his process for creating the world of Dunkirk: SPOILERS THROUGHOUT Clothes on Film: How did you…

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    Chiwetel Ejiofor | Clothes on Film

    We may have to eat our words, but as it stands 12 Years a Slave is unlikely to win the Best Costume Design Oscar. It does tick some of the necessary boxes: it’s period (mid 19th century), features both crinolines and cravats, and is part of the popular ballot. Yet being as the protagonist spends most of his time in just an increasingly distressed tunic shirt, the Academy may just feel costume designer Patricia Norris has really not worked hard enough. Flippancy toward the Academy aside, 12 Years a Slave remains a wonderfully rich costume experience. Every fibre leaps off the screen with detail and feeling. The cool weave of…

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    Amy Ponds | Clothes on Film

    Doctor Who, the quirky British sci-fi television series about a time travelling alien and his friends, premiered in 1963. Since then there have been twelve Doctors (and a War Doctor), each with their own unique looks to match their unique and often eccentric personalities. With the debut of the Twelfth Doctor fast approaching, this post takes a look back at the three Doctors we’ve seen so far (not including the War Doctor) on Doctor Who since it was rebooted in 2005 (or New Who, as some like to call it) and guesses at what we can expect from Doctor number twelve. The Ninth Doctor (Christopher Eccleston) arrived on our screens…

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    The Conversation: Gene Hackman's Raincoat | Clothes on Film

    The life of surveillance expert, Harry Caul (Gene Hackman) in The Conversation (1974, directed by Francis Ford Coppola) is one of ritual, fear and obsession. This man of many facets is identifiable by the clothes he wears, specifically because of their bland anonymity and repetition. His plastic raincoat in particular, a rudimentary raglan slip-on, provides recognisable iconography for the character. With exclusive insight from The Conversation costume designer, Aggie Guerard Rodgers, we analyse just why this coat is so important to Harry’s journey. Stumbling on a murder plot during a routine, if technically accomplished clandestine recording, Harry becomes obsessed with subduing his Catholic guilt over past deeds. Harry lives alone…

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    Deo Veritas: Creating the James Bond Cocktail Cuff Shirt | Clothes on Film – Part 33376

    This is a personal post about designing my custom made James Bond shirt. It is not an advertorial and wasn’t paid for. All photographs are of the final finished shirt(s) and taken by David Wade of Vogue Shot photography. There are now ample custom shirt makers online, but as a pre-existing customer of Deo Veritas what made this company stand out for me was a steadfast, almost stubborn desire to get everything ‘just so’. Seemingly no query or request is too much trouble. Bearing this in mind I tasked Deo Veritas with recreating a shirt I have always sought yet been unable to find off the peg or in my…