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    Robert Pattinson | Clothes on Film

    A new trailer for Christopher Nolan’s Tenet has dropped and it’s undoubtedly going to be the best film EVER. Cosmopolis satisfies as everything avant-garde cinema should be; an immaculate journey into weird. Old fashioned and sentimental, Water for Elephants still has much to offer with its very readable costume design. Some images and the latest trailer from Water for Elephants. Period costume design by Jacqueline West.

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    Bridesmaids Q&A: Comedy Costume | Clothes on Film

    Exclusive to Clothes on Film, Leesa Evans explains the tricky art of dressing six very different comic characters in Bridesmaids, i.e not overselling the humour. Leaning primarily to comedy, Leesa Evans has been lead costume designer on over twenty films, including American Pie (1999) and Josie and the Pussycats (2001). She has also worked with producer Judd Apatow several times, e.g. Forgetting Sarah Marshall (2008), Get Him to the Greek (2010) and now Bridesmaids (2011, directed by Paul Feig). “I have a great working relationship with Judd Apatow,” Evans confirms “When he asked me to design the film I was thrilled to do it”. Crammed with about as much riotous…

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    Martin/Prada Great Gatsby Collaboration: Fashion as Costume? | Clothes on Film

    Arriving amidst much excitement is a series of sketches by Prada for their collaboration with costume designer Catherine Martin on The Great Gatsby. Vogue exclusively broke the images. Vogue of course is a fashion magazine and Prada is a fashion label; The Great Gatsby is a film and what the characters wear within it are costumes. There is overlap because The Great Gatsby director Baz Luhrmann apparently brought Prada on board, or more specifically their creative director Miuccia Prada to work alongside Catherine Martin, Luhrmann’s wife. To all intents and purposes this is a partnership. Perhaps to those unfamiliar with the intricacies of costume design it may unfold thus: Miuccia…

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    Kramer vs. Kramer: Meryl Streep in a Burberry Trench Coat | Clothes on Film

    Kramer vs. Kramer (1979) is costume symbolic of its era; the entire film is filtered through a composite mix of tan and beige. Director Robert Benton opted for a permanent autumn in New York City, artistically maintained through its year long storyline. Autumn is interpretable as a transitional season, reflecting the three act journey of the three central characters. Costume designer Ruth Morley dresses Meryl Streep’s absentee mother Joanna head-to-toe in various shades of brown. Joanna’s appearance is regimented by control and routine, and nearly always finished by that epitome of late 1970s chic and impending yuppiedom, a three quarter length Burberry trench coat. Confirmation of the Burberry trench functioning…