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Jean Shrimpton | Clothes on Film
MINOR SPOILERS There are already lots of good interviews with Star Wars: The Last Jedi (2017) costume designer Michael Kaplan on the internet (we recommend this one in particular), so for Clothes on Film we kept it brief and fresh. We caught up with Kaplan, who is also responsible for Star Wars: The Force Awakens (2015), Star Trek (2009), Fight Club (1999) and Blade Runner (1982), for a little chat about what’s new for episode 8 of the ever evolving space saga. Clothes on Film: Let’s kick off by asking you about the best new costume in the film, the Elite Praetorian Guard… Michael Kaplan: They are my favourite costumes…
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Roger Moore | Clothes on Film
It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle or ostentatious display can define character. Take James Bond, a man whose breeding was forced upon……
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Patrizia Reggiani | Clothes on Film
Hardly surprising, but Gucci are not that fussed at Ridley Scott making a film out of the most tumultuous period in their history after all.
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James Bond | Clothes on Film
The final trailer for The Rhythm Section features more costume changes than a Lady Gaga concert. It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle…
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Turnbull & Asser | Clothes on Film
Michael Caine created Jack Carter, yet his immaculate blue mohair suit was more than a little responsible for creating the myth. Matt Spaiser, creator of The Suits of James Bond blog, analyses the style of 007 in the film that started it all – Dr. No.
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Costume Design in House of Cards: Colour is Power | Clothes on Film
MINOR SPOILERS Over 13 episodes of House of Cards a lot happens to U.S. Representative Francis ‘Frank’ Underwood (Kevin Spacey) and those caught in his web. Some are friends, some foes, but pretty much all, via Banana Republic or Armani, look flawless. Washington politics is a place defined by the energy of those working within it. These people are never just random, everything they say has meaning and everything they wear gives off a signal: powerful or weak, it is as simple as black or white. Series costume designer Tom Broecker (30 Rock, Saturday Night Live) ensures the central characters follow a specific style of dress and colour palette. Talk…
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Clothes from 1970s | Clothes on Film – Part 3
Our thoughts on the costume design in the season 6 premiere of Mad Men. The latest and probably last trailer for Baz Luhrmann’s adaptation of The Great Gatsby before its début at Cannes. The 1970s was a scary era, not least for clothes. The Conjuring costume designer Kristin M. Burke tells us more. Meryl Streep’s timeless Burberry trench coat is one of the most recognisable contemporary costumes of 1970s. Costume designer Jacqueline West talks exclusively to Clothes on Film about her period recreation work on Ben Affleck’s Oscar favourite Argo. The press love Prada’s involvement with The Great Gatsby, but exactly how much does this help the film’s costume design?…
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lapels | Clothes on Film
Newly released on collectable Blu-ray, The Long Goodbye (1973, directed by Robert Altman) is the kind of film you feel ashamed for not watching more often. Starring Elliot Gould as Raymond Chandler’s pulp private dick Phillip Marlowe, this is a quirky, very seventies re-imagining of the Humphrey Bogart man-in-a-trenchcoat myth. The film is contemporary set, yet Gould’s Marlowe is a man out of place and time. Everything from his car to apartment to clothes is indicative of the P.I’s golden age; a world of cocktails, dames and pinstripe suits, not cat food, hippies and polyester. Hollywood’s effortless private detective was created in the post-Prohibition era of the 1930s-40s, and into……
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spectacles | Clothes on Film
As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008) Peter’s Friends (1992) and perhaps most exciting of all, Lock, Stock and Two Smoking Barrels (1998). Now, anyone old enough to remember when Lock, Stock arrived will remember just what an incredible influence its Mod inspired costumes had on the world of fashion. You could not pick up a men’s magazine of the time without seeing some guy in slim trousers and a jersey polo shirt. Stephanie Collie invented this look, thus providing one of……
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Lord Melbourne | Clothes on Film
We discuss the clothing, jewellery, even underwear of The Young Victoria with Maggie from The Costumer’s Guide.