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    Steamy Sucker Punch Trailer Hits | Clothes on Film

    The full trailer for director Zach Snyder’s action fantasy Sucker Punch has arrived in all its steampunk, cutesy, fairytale, dragons and ass kicking glory. Despite its catch all mishmash, this is not going to be for everyone, that’s for sure. See for yourself HERE Sucker Punch takes place in a succession of alternate realities. Starting in our reality, specifically the 1950s, we follow ‘Baby Doll’ (Emily Browning), a teenage girl locked away inside a mental institution by her stepfather with only five days to break out before she is lobotomised. As a figurative escape, Baby Doll creates a fantasy world where she and her inmate friends can flee; a hyperactive…

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    Rolex in the Movies: The Action Timepiece | Clothes on Film

    It’s the most celebrated, the most special, the most significant watch of all time; Rolex is symbolic of many things in the movies: style, wealth, attitude, and perhaps most importantly, taste. That is not to say a Rolex is elitist, but rather that the wearer on screen, anyone from James Bond to Steve McQueen, is someone possessed of the knowledge that there is no better. Rolex is the pinnacle. The history of Rolex on film is not nearly as interesting as the scope of its wearers and how this simple act of either subtle or ostentatious display can define character. Take James Bond, a man whose breeding was forced upon…

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    Doris Day in Pillow Talk: Couture Allure | Clothes on Film

    The perfection of a rose-tinted past, Doris Day’s costumes in Pillow Talk (1959) are some of the most exquisite ever worn on screen. They personify her immaculate character and symbolise the remnants of a dying era; opulence, optimism and the changing face of urbanised fashion. Costume designer for Pillow Talk was Bill Thomas, although, as became standard with Doris Day pictures, he was not directly responsible for creating her outfits. That job fell to celebrated costume/fashion designer Jean Louis, earning him a ‘Gowns By’ credit on the film. Louis was known for his stylish and often deceptively simple garments, including most famously Rita Hayworth’s strapless black sheath in Gilda (1946).…

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    Rear Window: Grace Kelly's Celadon Green Suit | Clothes on Film

    While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long and loose for the slenderness of the skirt; it doesn’t fit Kelly’s figure as comfortably as it might. However even with its faults the suit still reflects a vital side of Lisa’s complex personality: her professional, tailored femininity. Celadon green midi-length jacket with stand up collar, likely shantung-silk and trimmed in tulle, no buttons, white satin contrast lining, ¾ Length sleeves and sloping round shoulders. Influences for shape and style can be attributed to Cristóbal Balenciaga (soft round shoulders)…

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    Charlie Sheen Back in Braces for Wall Street 2 | Clothes on Film

    In an interview with The New York Times, director Oliver Stone has confirmed Charlie Sheen is to return as disgraced trader Bud Fox for Wall Street sequel Wall Street 2: Money Never Sleeps (sounding a bit like the title of an episode of The Naked Gun). Good news then for those who enjoyed Bud’s evolution from button-down shirts and plain suits to striped ‘Gekko shirts’ and red braces. Of course Michael Douglas as Gordon Gekko pioneered his namesake shirt, but Bud was aping the infamous embezzler all the way. No plot details yet on Sheen’s role in this long awaited follow up to the 1987 Oscar winning hit. It is…

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    Bruce Willis | Clothes on Film

    While science-fiction and period costume can sell to collectors at auction for tens of thousands of dollars, the future of contemporary costume from the contemporary drama, comedy and thriller genres is unclear. Costumes from films set in the modern age are not valued as highly. Sourced from costume houses, high-street stores, and even actor’s own wardrobes, these pieces could be lost for good for future generations of collectors and fans if current mentality doesn’t change. Contemporary costume, even from popular movies, is surprisingly hard to trace. What has happened to George Clooney’s Aloha shirts from The Descendants? The film’s costume designer Wendy Chuck isn’t sure. “I have no idea where……