-
latex | Clothes on Film
We examine the design of the Tron Legacy light suits in detail including their creation, construction and symbolism.
-
Wendy Partridge | Clothes on Film
Oi! Costume! The Fifth Element Jean Paul Gaultier’s original costume for when Prince was cast as outrageous Ruby Rhod. The Hunger Games: Catching Fire A few more words with Trish Summerville about one of the most anticipated costume films of the year. Downton Abbey Caroline McCall discusses challenges of working on the show. Noticed all the purples and blacks worn by Lady Mary this season? That’s because she is still in mourning. Catching Fire Jennifer Lawrence wanted to wear “everything” apparently. Understandable from what we’ve seen of the costumes so far. Video: Ms Summerville explaining even more about those Katniss and co costumes. Exciting, exciting… Costume Cafe Podcast Lauren Delany……
-
check suit | Clothes on Film
Spoiler warning: We examine the use of suits, iron or otherwise, in Iron Man 3 to conceal and recreate identity. Gripping entertainment with subtext on everything from ethnicity to hierarchal costume.
-
Crieman War | Clothes on Film
Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Lord Christopher Laverty 14 Comments 23 Dec ’11 28 Sep ’11 5 May ’10
-
Colleen Monroe | Clothes on Film
This week’s costume design news. Mad Men “She buys her clothes two sizes too small, more 50’s than 60’s.” – Janie Bryant knows her Joan. Yves Saint Laurent Costume designer Madeline Fontaine’s predictably difficult job costuming the immaculate biopic. …and sticking with Yves, HERE‘s Kate Muir’s article inspired by the film for The Times featuring Clothes on Film ed Christopher Laverty. Sunday in New York Another stunning analysis by Kay Noske, this time focusing on Jane Fonda’s enviable wardrobe as ’the only 22 year old virgin left in the world’. Hannibal Part 2 of Hello Tailor’s in-depth analysis. Even if you can’t be bothered to read the article (though you……
-
dungarees | Clothes on Film
Costume designer Anna B. Sheppard grants us exclusive insight into the unique period look of Inglourious Basterds. Lord Christopher Laverty 41 Comments 2 Nov ’17 23 Oct ’09 26 Jun ’09
-
The Americans | Clothes on Film
This week’s costume design news. Mad Men “She buys her clothes two sizes too small, more 50’s than 60’s.” – Janie Bryant knows her Joan. Yves Saint Laurent Costume designer Madeline Fontaine’s predictably difficult job costuming the immaculate biopic. …and sticking with Yves, HERE‘s Kate Muir’s article inspired by the film for The Times featuring Clothes on Film ed Christopher Laverty. Sunday in New York Another stunning analysis by Kay Noske, this time focusing on Jane Fonda’s enviable wardrobe as ’the only 22 year old virgin left in the world’. Hannibal Part 2 of Hello Tailor’s in-depth analysis. Even if you can’t be bothered to read the article (though you…
-
racing jacket | Clothes on Film
In honour of The Times’ film critic Kevin Maher’s list of iconic movie rebels, we take a look at what it truly takes to make a tough guy in cinema. What constitutes a tough guy, as in ‘man’, on film is usually a traditional interpretation of masculinity. There is always room for the sensitive hero in a sweater and slacks, but for those who watch movies as ingrained wish fulfilment, the sexy and sweaty man’s man needs suitable attire to reflect his personality. But it is not just about the garments themselves. A jacket is a jacket, but a leather jacket is a symbol. A wax jacket on the other…
-
bustier | Clothes on Film
All the recurring themes in Desperately Seeking Susan are linked to one jacket. As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.
-
Jill Burgess | Clothes on Film
Suzy Benzinger, the costume designer of Blue Jasmine, chose iconic brands like Hermès, Louis Vuitton, and Missoni to serve as visual shorthand of what the modern-day wealthy socialite wears, but it is the white Chanel jacket that follows Jasmine from the beginning of the movie to the end which tells its own tale of what is happening to its owner. When we first see Jasmine (Cate Blanchett) she is flying first-class from New York to San Francisco to see her sister Ginger (Sally Hawkins). On the flight she dazzles a fellow passenger with the story of how she met her wealthy businessman husband Hal (Alec Baldwin). Or so she thinks.……