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white dress | Clothes on Film

  • Costume designer Mark Bridges described There Will Be Blood (2007) as his most challenging film, referring to the difficulties he faced in transporting costumes to the remote location in West Texas, after director Paul Thomas Anderson called for a new concept three days before a re-shoot. However these challenges seem to channel the themes of the film itself: hardship, isolation, and the determination to overcome any obstacle to fulfil a goal. Daniel Plainview (Daniel Day-Lewis) is a turn-of-the-century prospector, who receives a tip about a giant oil deposit under a family farm in California. The family includes Eli Sunday, a zealous preacher and faith healer who wants the money from…

  • Lucinda Wright talks costume in The Suspicions of Mr Whicher: The Murder in Angel Lane.

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  • Second and final part of our retrospective of The Grifters with insight from Mark Bridges.

  • Costume colours in House of Cards are symbolic of vulnerability and power.

  • First in our two part retrospective of neo-noir classic The Grifters with exclusive insight from the film’s assistant costume designer Mark Bridges.

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  • A round up of villain themed costume posts at Clothes on Film.

  • “Fashion victim” or “ensemble-y challenged”. Examining the legacy of Mona May’s costume design for Clueless.

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  • There more going on with this outfit than an absence of underwear.

  • Amy Westcott talks exclusively to Clothes on Film about her process on Black Swan, that Oscar snub and the recent controversy surrounding herself and Rodarte.

  • Did you know that Calvin Klein has re-released the white dress that Alicia Silverstone made famous in Clueless? Yes, you probably did.

  • A fully long and weird trailer for Tim Burton’s Alice in Wonderland has landed in cyberspace.

  • There is something spiritual about a maxi dress; the way it flows and veils the body. It gels with the divine aspect of Solitaire.