With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this……

Must admit, we kind of saw this one coming. The Hunger Games: Catching Fire costume designer Trish Summerville has teamed up with online fashion retailer Net-a-Porter to produce 16 ready-to-wear outfits, leather goods and jewellery tied into the film. These ensembles will available exclusively at Net-a-Porter while being simultaneously promoted through Lionsgate’s Capital Couture website. Summerville, recently honoured as Costume Designer of the Year at the 10th Annual Style Awards, commented she’s “extremely proud of the designs that we created for The Hunger Games: Catching Fire and there’s no partner more appropriate for Capitol Couture than the world’s most cutting-edge luxury retailer”. If anyone can make such a collection work,……

On Tuesday 13th September, Clothes on Film makes its television debut chatting about the amazing costume design of Boardwalk Empire. Despite having watched Catfish at the Leeds International Film Festival, you will find no review of it here.

Denim re-invented Audrey Hepburn from stylish and chic to cheeky and tomboyish. Lord Christopher Laverty Comments Off on Two For the Road: Audrey Hepburn in Denim 29 Aug ’13 20 Feb ’14 24 Jun ’11 Baby’s ascent to womanhood is showcased through her wardrobe choices. Lord Christopher Laverty 2 Comments 4 Oct ’10 25 Sep ’18 21 May ’12 The Lovely Bones has been chosen for this year’s Royal Gala screening at London’s Leicester Square. Lord Christopher Laverty 1 Comment 7 Jul ’10 28 Aug ’09 20 Jan ’12

Let’s get this straight: Peaky Blinders is not Boardwalk Empire. It’s a post World War I gangster drama, during roughly the same time period (1919 as opposed to the early 20’s), it’s gritty, features loyal yet warring brothers, is as cool as ice chips and doesn’t pull any punches. However Boardwalk Empire is set in the attractive seaside landscape of Atlantic City, USA, while Peaky Blinders is set in Birmingham. The whole palette is different too. Boardwalk is colourful and vibrant, Peaky is dark and dingy. Evidently this extends to the clothes. You wouldn’t have got far walking around Birmingham in an orange silk shirt and camel coat; this was…

Recently we were fortunate enough to get our hands on Amber Jane Butchart’s new book, her ‘Fashion Miscellany’, which has just been published by The IIex Press. If you don’t already know, Amber is a contributor to Clothes on Film and will soon be teaming up with editor Christopher Laverty for an evening of Jazz Era discussion at the British Library. Her book, by the way, is flippin’ brilliant. If you care even slightly about what we wear and why, AJBFM is an indispensable purchase. The layout of it is simple enough. It’s basically designed as a dip-in-and-out for research, or whenever you fancy a flick though. We’d call this……

We examine the design of the Tron Legacy light suits in detail including their creation, construction and symbolism.

We examine the design of the Tron Legacy light suits in detail including their creation, construction and symbolism.

We examine the design of the Tron Legacy light suits in detail including their creation, construction and symbolism.

There is a problem with the costumes in The Wolf of Wall Street, and it has nothing to do with the film itself but the coverage they have received. Namely, that this coverage is incorrect. Articles such as this one for Vogue France, or this for The Hollywood Reporter, or a ‘suit guide’ by Esquire, concentrate almost solely on Giorgio Armani’s contribution to the project with barely a mention of costume designer Sandy Powell. And this is the Sandy Powell by the way: 10 Oscar nominations and so well respected she has an OBE for services to the industry. It was Powell who costumed The Wolf of Wall Street, not…