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Atonement | Clothes on Film
Costume designer Jacqueline Durran discusses her unusual approach for Anna Karenina – 1870s Russia via 1950s couture. Forgive the self-promotion as we draw your attention to Clothes on Film’s inclusion in book ‘Hollywood Costume’ edited by Deborah Nadoolman Landis. A rundown of why Hollywood Costume at the V&A is the best event you will see all year. We have five copies of Liz Gregory’s movie dressmaking book Sew Iconic to give away. That’s right, five. Who might win for costume design at the Orange BAFTA Film Awards? Hollywood costume comes to London’s Victoria & Albert Museum in the most exciting exhibition of its type ever announced.
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The Hangover | Clothes on Film
Director Bryan Singer has tweeted photographs of Nicholas Hoult, Hugh Jackman and James McAvoy in 1973 costume on set of X-Men: Days of Future Past. In honour of the The Wolverine and his black on black Yakuza uniform, a round up of posts featuring memorable black costumes at Clothes on Film. Costume designer Louise Mingenbach worked closely with Zach Galifianakis to create Ethan’s camp and blissfully unaware look. Zach Galifianakis in a safari suit and plenty more costume wackiness to come says costume designer Louise Mingenbach.
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Ben Affleck | Clothes on Film
The top half of Ben Affleck’s new Batsuit has been revealed, as created by costume designer Michael Wilkinson for the barely in production Batman vs. Superman. At first this black and white Bats looks kind of pettable, thanks to those smaller, kittenish bat ears. However getting in closer the suit is far more visceral than Lindy Hemming’s version for director Christopher Nolan. It actually resembles a (very buff) human body stripped of its skin. Nolan is where most comparisons will be drawn; his Batman is still the benchmark in cinema, and while director Zach Snyder is less obsessed with plausibility the new suit is obviously intended to be functional as……
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Batman | Clothes on Film
The top half of Ben Affleck’s new Batsuit has been revealed, as created by costume designer Michael Wilkinson for the barely in production Batman vs. Superman. At first this black and white Bats looks kind of pettable, thanks to those smaller, kittenish bat ears. However getting in closer the suit is far more visceral than Lindy Hemming’s version for director Christopher Nolan. It actually resembles a (very buff) human body stripped of its skin. Nolan is where most comparisons will be drawn; his Batman is still the benchmark in cinema, and while director Zach Snyder is less obsessed with plausibility the new suit is obviously intended to be functional as……
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The Shining | Clothes on Film
The subtle differentiation of character through costume design in Moon. Contributor 2 Comments 23 Sep ’11 28 Jul ’17 7 Jul ’10 Clothes on Film caught up with Toy Story 3 director Lee Unkrich for an exclusive interview. Ken’s camptastic wardrobe was on the agenda. Lord Christopher Laverty 7 Comments 20 Apr ’10 10 Jun ’13 5 Sep ’13
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Boogie Nights Costume: Dirty Time | Clothes on Film – Part 22318
Boogie Nights (1997, directed by Paul Thomas Anderson) is packed with vintage clothing delights. Even though costume designer Mark Bridges generally eschewed more obvious 1970s/early 80s trends due to a recent retro fashion revival, the movie is still completely identifiable with both of these periods. Dirk Diggler (Mark Wahlberg) and Amber Waves (Julianne Moore) are two of the film’s most interesting characters in terms of costume, especially how their outfits seem at times to be simpatico, although, as we discover with exclusive insight from Mark Bridges himself, this was not intentional: “Fifteen years after designing the film you mention something to me I never noticed!” Of course there are other…
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Fred Astaire | Clothes on Film
If there is a more joyous film this year, we haven’t seen it. The most memorable musical number ever captured on film, and Ginger Rogers’ dress contributes to this greatly. Among all this luxury is a plain, yet deliciously feminine black dress worn for the ‘Pick Yourself Up’ waltz.
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London | Clothes on Film
It was late November, 2016 when I visited the set of The Conjuring 2 (directed by James Wan). The reason I never wrote about it for Clothes on Film or anywhere else was because of my official role on the day: I was playing an extra (or background artist if you like) during the film’s Maida Vale pub scene. Specifically this is the moment when real life husband and wife paranormal investigator team, Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson) meet with noted experts in their field to discuss the validity of their current case, aka the Enfield poltergeist. I made the finished cut, by the skin of my……
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Austin Powers | Clothes on Film
Goldmember (2002, directed by Jay Roach), the final film (so far) in the Austin Powers series again shifts its timeline. However, rather than a negligible, though comparatively significant, jump from late to very late 1960s, here we dive into that most raucous of decades – the 1970s. And then back to 2002 (do keep up). For costume designer Deena Appel (pictured above, bottom left with Jay Roach) it was a wildly ambitious undertaking. Not to mention the film also features a well-known music and movie star, just about to launch into the stratosphere: Beyoncé. Speaking exclusively to Clothes on Film and closing out our epic in-depth look at the Austin……
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Spandex | Clothes on Film
The latest MCU smash-hit, Spider-Man: Far From Home (2019), features one of the strangest villains in the wallcrawler’s rogues’ gallery. When it comes to movies based on comic books, the outfit a character like Mysterio wears is not supposed to work on-screen. On the printed pages of comics, the outfits can be impractical and outlandish, and nothing is more of those things than the villain’s fishbowl helmet, lavender cape fastened with giant eyes, and green, scaly tights. Still, costume designer for the film, Anna B. Sheppard, met the challenge of making a fantastic look for Jake Gyllenhaal’s villain. Instead of running away from the crazy roots of the character, she……