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    The Joker | Clothes on Film

    A brief glimpse at the costume world Mark Bridges created for Joker. Lord Christopher Laverty Comments Off on The Costuming of Joaquin Phoenix in Joker 4 Jul ’09 26 Apr ’13 15 Apr ’16 Costume Designer Lindy Hemming talks exclusively to Clothes on Film about her work on The Dark Knight Rises. Lord Christopher Laverty 16 Comments 11 Nov ’09 1 Aug ’14 21 Aug ’14 Christopher Nolan once again shows his appreciation for costume in this immensely satisfying end to the Dark Knight trilogy. Lord Christopher Laverty 36 Comments 15 Nov ’13 14 Aug ’17 22 Apr ’10

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    Coen Brothers | Clothes on Film

    Happy New Year everyone! Life Without Zoe, The Canyons Two well researched and well written posts by Superqueen. This site is always worth a scoot around. 12 Years a Slave Costume Designer Patricia Norris is 82 years young. Cancel your retirement. The Most Iconic Costumes of all Time Marilyn’s dress in The Seven Year Itch? No, frankly. Ellen Mirojnick The Costume Cafe podcast with a lady we adore here at Clothes on Film. Inside Llewyn Davis Frocktalk reviews the extraordinary ‘sweaterville’ work of Mary Zophres for the Coens’ latest. Michael Wilkinson For Guise magazine, Joe Kucharski chats to Michael Wilkinson about digital illustration in costume design. Big Screen Style Moments……

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    Madison Wolfe | Clothes on Film

    It was late November, 2016 when I visited the set of The Conjuring 2 (directed by James Wan). The reason I never wrote about it for Clothes on Film or anywhere else was because of my official role on the day: I was playing an extra (or background artist if you like) during the film’s Maida Vale pub scene. Specifically this is the moment when real life husband and wife paranormal investigator team, Lorraine (Vera Farmiga) and Ed Warren (Patrick Wilson) meet with noted experts in their field to discuss the validity of their current case, aka the Enfield poltergeist. I made the finished cut, by the skin of my…

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    Audrey Hepburn | Clothes on Film – Part 2

    Following a trip to Rome, Betty dons the latest in European chic – a colourful maxi dress that belongs in sleepy Ossining just about as much as she does. Denim re-invented Audrey Hepburn from stylish and chic to cheeky and tomboyish. An undeniably romantic tale of damaged goods finding love. Judging solely on this footage, Carey Mulligan’s Jenny goes down the Audrey Hepburn route more than typical teen fashions of the sixties. A final, favourite selection of Audrey outfits from Two for the Road.

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    Free Fire | Clothes on Film

    MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.…

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    Farah | Clothes on Film

    MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.…

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    Ralph Lauren | Clothes on Film

    MILD SPOILERS Director Ben Wheatley’s latest, Free Fire, is set in Boston, 1978, but was actually shot in Brighton in 2015. Being as the plot revolves around ten characters involved in a one hour plus shoot-out inside a disused factory, from a sartorial point of view things get rather grubby. The film’s BAFTA nominated costume designer Emma Fryer has already worked with Wheatley on The ABCs of Death (2012) and A Field in England (2013) so is used to the way his stories tend to go bananas in the final reel. Free Fire unfolds practically in real time, which amps up the tension but allows for no mistake with costume.……