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cravat | Clothes on Film

  • This is part 2 (part 1 HERE) of an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. We rejoin Charlie and his ragtag crew at the big meeting when the gang are all introduced to each other. It had to be a Doug Hayward moment and thankfully does not disappoint. In actual fact it is probably Michael Caine’s best fitting suit in the whole movie: Dark blue worsted wool suit; double breasted jacket, wide peaked lapels, 6 on 2 fastening, slanted hip pockets, ticket…

  • The following is an expanded article Clothes on Film editor Christopher Laverty wrote for men’s style resource MR PORTER analysing Michael Caine’s suits in The Italian Job. This post covers all the costumes he wore during the film. If The Italian Job (1969) needs any introduction at all it might be possible you’ve been in a coma for the past 40 years. It’s so well known and so well loved that were it not for the fact that no-one has really delved into the sartorial details of Michael Caine’s suits there would be nothing left to talk about. As it happens we have spent time studying and researching The Italian…

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  • MILD SPOILERS Costume designer Michael Wilkinson’s main accomplishment with American Hustle has largely been overlooked in favour of praising him as some kind of vintage stylist with an eye for provocative gowns and desirable heels. The truth is he has carefully brought to life a world, not of parties and glamour, but cheap sex and dirty desperation. The costumes in American Hustle do tell a story, particularly through their ever darkening colour palette, yet Wilkinson’s deftest skill is reflecting an era when fashion was as confused as the politics surrounding it. American Hustle is an unapologetic tale of low down dirty double-crossers whose clothes, like them, were a lie. A…

  • The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.

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  • George Lazenby’s fashionable Bond is sartorially similar to Daniel Craig in Skyfall.

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  • A trailer for The Woman in Black arrives bringing that spooky sense of dread that only Victorian costume can provide.

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  • First look at Jenny Beavan’s late Victorian-with-a-twist costumes in action.

  • Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.

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  • Our first Dual Analysis with Costumer’s Guide. To kick off, here is what Chris from Clothes on Film had to say.

  • Jacques d’Azur is officially dead. Bad news for him, good news for you, because it means you can inherit his luxurious VIP lifestyle at Cannes.

  • The costume style adopted by the movie – which is proving unusual to say the least.

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