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Michael Fassbender | Clothes on Film

  • We may have to eat our words, but as it stands 12 Years a Slave is unlikely to win the Best Costume Design Oscar. It does tick some of the necessary boxes: it’s period (mid 19th century), features both crinolines and cravats, and is part of the popular ballot. Yet being as the protagonist spends most of his time in just an increasingly distressed tunic shirt, the Academy may just feel costume designer Patricia Norris has really not worked hard enough. Flippancy toward the Academy aside, 12 Years a Slave remains a wonderfully rich costume experience. Every fibre leaps off the screen with detail and feeling. The cool weave of…

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  • Fabrics jump out of the screen in this trailer for 12 Years a Slave.

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  • The Counsellor trailer hits with high-shine sartorial gloss.

  • Clothes on Film have an exclusive chat with Academy Award winning costume designer Janty Yates about her work on Prometheus.

  • Watching Jane Eyre on location makes for an enriching experience.

  • The period is swinging, but the trailer is classy.

  • Some official images have surfaced for X-Men: First Class. The sixties costumes vibe is not excessive, however.