purple | Clothes on Film

SPOILERS From a costume point of view, and therefore a character point of view, The Grand Budapest Hotel (directed by Wes Anderson) is all about uniforms; those worn by men and women in official capacities and those adopted as a life uniform by those trapped in the past. Eccentric La Belle Époque hangover Madame D (Tilda Swinton) is the latter, Moustafa Zero (Tony Revolori), a newly appointed lobby boy in the pinnacle of majestic 1930s hotels, The Grand Budapest, is the former. While Madame D goes nowhere, perhaps because she has already been everywhere, Zero undertakes a journey and evolution of character, which subsequently means his clothing does too. In…

SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…

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Django Unchained costume designer Sharen Davis exclusively explains her work on the film.