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    Michael Fassbender | Clothes on Film

    We may have to eat our words, but as it stands 12 Years a Slave is unlikely to win the Best Costume Design Oscar. It does tick some of the necessary boxes: it’s period (mid 19th century), features both crinolines and cravats, and is part of the popular ballot. Yet being as the protagonist spends most of his time in just an increasingly distressed tunic shirt, the Academy may just feel costume designer Patricia Norris has really not worked hard enough. Flippancy toward the Academy aside, 12 Years a Slave remains a wonderfully rich costume experience. Every fibre leaps off the screen with detail and feeling. The cool weave of……

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    Jean Harlow | Clothes on Film

    In Malèna, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her. Old fashioned and sentimental, Water for Elephants still has much to offer with its very readable costume design.

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    Giuseppe Tornatore | Clothes on Film

    Cinema Paradiso is a beautiful examination of the relationship human beings have with film. This connection is explored through the story of a young boy and his friendship with the projectionist at the town’s local cinema. The strength of this friendship is only surpassed in intensity by the boy’s deep desire to become a part of the world of movie making. This is a story not about the medium of film in itself, but about the real people whose lives are illuminated by the stories it relates. As a tale primarily of ordinary Roma people, the costumes in Cinema Paradiso, as designed by Beatrice Bordone, help create a 1940s/50’s period……

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    floral | Clothes on Film

    Analysis of Shawna Trpcic’s subtle costume signifiers with input from the designer herself. The colours and codes of the costume design in No Country for Old Men. Clothes on Film talks exclusively to Tate Taylor about his use of costume in The Help. In Malèna, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her.

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    stillios | Clothes on Film

    Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate the characters’ hidden desires and make watching Passion a sensory experience. This melodrama centres on two ad executives, Isabelle (Noomi Rapace) and her boss Christine (Rachel McAdams), who have a deadline to come up with an ad campaign for a new smartphone. In her sleep, Isabelle thinks of a great idea. The two other principal characters are Isabelle’s assistant Dani (Karoline Herfurth) and Christine’s boyfriend Dirk (Paul Anderson) who get…