-
James Frain | Clothes on Film
Part 2 of our detailed look at the costumes in Tron Legacy, moving onto specific design elements created for individual characters.
-
denim | Clothes on Film – Part 2
As is often the way with costume designers, Stephanie Collie is something of an unsung hero. We will not reel off her entire back catalogue, but it does include South Riding (2011, TV), Telstar (2008) Peter’s Friends (1992) and perhaps most exciting of all, Lock, Stock and Two Smoking Barrels (1998). Now, anyone old enough to remember when Lock, Stock arrived will remember just what an incredible influence its Mod inspired costumes had on the world of fashion. You could not pick up a men’s magazine of the time without seeing some guy in slim trousers and a jersey polo shirt. Stephanie Collie invented this look, thus providing one of……
-
Withnail & I | Clothes on Film
This week you may have missed… Ingenious Costume Design Good list from Rebecca Clough at Den of Geek of ingenious movie costume design. And while we’re about it, congratulations to another of their regular writers, Ryan Lambie, for his FDA Richard Attenborough Blogger of the Year Award. Inside Llewyn Davis Kristin M. Burke has a chat with the Coen brothers’ regular costume designer Mary Zophres. The Hunger Games: Mockingjay Part 1 Trish Summerville out, Kurt & Bart in for the third Hunger Games movie. Odd after Summerville being such a successful choice, but we get the feeling this is most intentional. Cash hungry producers have realised Katniss’ costume designers are…
-
middle ages | Clothes on Film
Video: Clothes on Film chat exclusively to costume designer Joan Bergin about her extraordinary work on The Tudors. Want another look at Janty Yates’ costume design for Robin Hood? Thought you might.
-
Ready For My Close Up: Anna May Wong | Clothes on Film
Throughout summer it has been difficult to ignore the recent Chinoiserie trend in stores and magazines, kick-started by the opulent Louis Vuitton show in Paris and merged effortlessly into autumn by Paul Smith. This new-found interest may have been partly triggered by the Chinese market’s growing appetite for high-end goods, which despite recent economic setbacks, has left Western luxury brands competing for a share of this very sizeable market. This obsession with the ‘Orient’ has also seen a proliferation of Asian models on catwalks and throughout editorial spreads, which has courted controversy for some publications and raises all manner of questions regarding ethnicity and standards of beauty. Whilst researching this…
-
Vampire Academy | Clothes on Film
This week you may have missed… Ingenious Costume Design Good list from Rebecca Clough at Den of Geek of ingenious movie costume design. And while we’re about it, congratulations to another of their regular writers, Ryan Lambie, for his FDA Richard Attenborough Blogger of the Year Award. Inside Llewyn Davis Kristin M. Burke has a chat with the Coen brothers’ regular costume designer Mary Zophres. The Hunger Games: Mockingjay Part 1 Trish Summerville out, Kurt & Bart in for the third Hunger Games movie. Odd after Summerville being such a successful choice, but we get the feeling this is most intentional. Cash hungry producers have realised Katniss’ costume designers are…
-
masks | Clothes on Film
Despite having watched Catfish at the Leeds International Film Festival, you will find no review of it here.
-
Minnie Driver | Clothes on Film
The Phantom of the opera demonstrates that the colour, size and shape of a character’s costumes can communicate on a subliminal level.
-
Julia Roberts in Pretty Woman: Elegant Opera Dress | Clothes on Film
Pretty Woman (1990) is your typical Hollywood rags to riches story. Vivian Ward (Julia Roberts) is a young woman who finds herself down and out; struggling financially, unable to make the rent and ‘forced’ to sell her body on the street. By dramatic coincidence she happens to enter the car (and world) of newly single, and rich, businessman Edward Lewis (Richard Gere) Vivian’s transformation from prostitute to elegant lady of luxury is highlighted through her clothes. Costume designer Marilyn Vance-Straker and her team created an array of stylish and contemporary outfits, beginning with the white and blue revealing dress with thigh-high boots that Roberts dons at the start of the…
-
high waist | Clothes on Film
The near future romance Her, written and directed by Spike Jonze, whose widely diverse resume ranges from the world of music videos to MTV’s Jackass to major motion pictures, brought together a creative team that costume designer Casey Storm refers to as “friends first, and co-workers second.” Storm and production designer K.K. Barrett create a soft, comfortable world of tomorrow. Shot on location around Los Angeles and Shanghai, Barrett avoided familiar locations to create a world that is accessible but not overtly recognisable. Our first introduction to the world feels very familiar. Seated in an office in a simple button up, Joaquin Phoenix’s character, Theodore Twombly, dictates a letter to……