• Uncategorized

    Verity Hawkes | Clothes on Film

    SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…

  • Uncategorized

    Lindsay Duncan | Clothes on Film

    SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…

  • Uncategorized

    Jane Whatley | Clothes on Film

    Amongst staggering aural and visual assault, perhaps one of the quietest aspects of Dunkirk (2017, directed by Christopher Nolan) are its costumes – and this is to its credit. Dunkirk is the type of film that requires you to engage quickly with everything you see on screen. Jeffrey Kurland’s costume design is masterful in this regard. A sea of subtly differentiated green and brown with the pop of naval uniforms and briefly glimpsed civilian wear. This is 1940 at its most spare and rudimentary. Here, Jeffrey Kurland chats exclusively to Clothes on Film about his process for creating the world of Dunkirk: SPOILERS THROUGHOUT Clothes on Film: How did you…

  • Uncategorized

    Harry Styles | Clothes on Film

    Amongst staggering aural and visual assault, perhaps one of the quietest aspects of Dunkirk (2017, directed by Christopher Nolan) are its costumes – and this is to its credit. Dunkirk is the type of film that requires you to engage quickly with everything you see on screen. Jeffrey Kurland’s costume design is masterful in this regard. A sea of subtly differentiated green and brown with the pop of naval uniforms and briefly glimpsed civilian wear. This is 1940 at its most spare and rudimentary. Here, Jeffrey Kurland chats exclusively to Clothes on Film about his process for creating the world of Dunkirk: SPOILERS THROUGHOUT Clothes on Film: How did you…

  • Uncategorized

    The Iron Lady | Clothes on Film

    Friday 6th May sees the release of Florence Foster Jenkins, the 1944 set true story of a woman, Ms. Foster Jenkins herself (played by Meryl Streep) who heard nothing but sweet angels in her head, yet couldn’t actually sing for a toffee. Her manager and husband St. Clair Bayfield (Hugh Grant) hides the truth during the private recitals, but when Florence agrees to sing live at Carnegie Hall, things begin to get a little tricky… Costume designer for Florence Foster Jenkins is Consolata Boyle, a BAFTA award winner probably best known for her work on The Queen (2006), The Iron Lady (2011), and more recently Philomena (2013) – and yes there……

  • Uncategorized

    Charlie Chaplin | Clothes on Film

    Deborah Nadoolman Landis discusses her Hollywood Costume exhibition at the V&A. Lord Christopher Laverty 5 Comments 21 Mar ’14 25 Oct ’18 29 Aug ’13 The London Film Museum has been running an exhibition featuring costumes from 20th Century Fox movies to celebrate the studio’s 75th anniversary. Lord Christopher Laverty 2 Comments 9 Mar ’13 3 Feb ’12 21 Oct ’09