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    pencil skirt | Clothes on Film

    More clip than teaser trailer, but Meryl Streep certainly does look the part. Looking so sexy that the finished film can be nothing but a huge disappointment, this teaser for Tinker, Tailor, Soldier, Spy ticks all the right 70’s boxes. A solitary official image from The Tourist starring Angelina Jolie and Johnny Depp. Contemporary costume design by Coleen Atwood. Betty ‘Rizzo’ played by Stockard Channing is not only the most complex character in Grease, but in costume terms fascinating. While still alluring, as practically anything is on Grace Kelly, this is perhaps her least successful outfit overall from Rear Window (1954, as Lisa Fremont). The jacket seems slightly too long…

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    John Hillcoat | Clothes on Film

    Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Lord Christopher Laverty 4 Comments 9 May ’09 20 May ’13 5 May ’10 Tom Hardy heralds dawning of the knitwear anti-hero. Margot Wilson discusses her use of the cardigan for Lawless. Lord Christopher Laverty 14 Comments 26 Jun ’09 2 May ’13 14 Dec ’11 Hillcoat took it as far as he dared and created a beautiful suffering; a film that somehow manages to be both unwatchable and unmissable at the same time. Lord Christopher Laverty 1 Comment 3 Jun ’13 23 May ’09 23 Sep ’11

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    The Untouchables | Clothes on Film

    The costume style evolution of Kathleen Turner in Romancing the Stone (1984). The glossy costume world of gangster squad is faithful to history, but not a slave to it. The press love Prada’s involvement with The Great Gatsby, but exactly how much does this help the film’s costume design?

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    catsuit | Clothes on Film

    With Austin Powers: International Man of Mystery (1997), costume designer Deena Appel created one of the most iconic screen looks of all time. That is no overstatement; Austin Powers has been copied and homaged and wheeled out every year as a Halloween costume, with very little credit put Appel’s way. It is a rather sad indictment of how the industry works that, despite its importance, especially in a film such as Austin Powers, a costume designer will rarely see any kudos come their way. Awards? Well, you might have a chance if your film is set in Victorian England or Disney-verse, but other than that not so much. With this……

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    La Belle Époque | Clothes on Film

    A breezy retrospective of the most famous fashion editor of all time. Sonia Grande’s costume design for Midnight in Paris offers everything we expect of 1920s Paris and the contemporary nouveau riche. As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.

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    Felicity Shagwell | Clothes on Film

    The second installment (part one HERE) of our extensive interview with Austin Powers trilogy costume designer Deena Appel, this time focusing on The Spy Who Shagged Me (1999, again directed by Jay Roach). Things change up in The Spy Who Shagged Me, for in addition to costuming the modern and swinging sixties world of Austin Powers, his character also travels to 1969, i.e. the ‘hippie era’. The first film was a tremendous success and Appel’s contribution solidified her as the only person who could return to costume this fabulous, vibrant landscape. Speaking exclusively to Clothes on Film, and providing never before seen or published costume sketches from the movie, Deena…

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    Dayna Pink | Clothes on Film

    Crazy, Stupid Love is every inch the ‘fashion film’, both in terms of narrative and costume designer Dayna Pink’s elegant menswear styling. Some essential style lessons learnt from Hot Tub Time Machine. Surely worth a look for eighties fans, the trailer for Hot Tub Time Machine recently hit the net.

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    1969 | Clothes on Film

    The second installment (part one HERE) of our extensive interview with Austin Powers trilogy costume designer Deena Appel, this time focusing on The Spy Who Shagged Me (1999, again directed by Jay Roach). Things change up in The Spy Who Shagged Me, for in addition to costuming the modern and swinging sixties world of Austin Powers, his character also travels to 1969, i.e. the ‘hippie era’. The first film was a tremendous success and Appel’s contribution solidified her as the only person who could return to costume this fabulous, vibrant landscape. Speaking exclusively to Clothes on Film, and providing never before seen or published costume sketches from the movie, Deena…

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    RoboCop | Clothes on Film

    The week in costume stories and links. FIDM Gorgeous costumes on display from 2013 released movies. Tyranny of Style takes you there… Some more good FIDM photos at Frocktalk. Downton Abbey Insightful gallery notes by costumer Caroline McCall. Sure, baby boys in the early 1920s would’ve worn a dress, but that would definitely have confused viewers. How Wool is produced for Fabric Riveting Costume Cafe podcast with Franny Kansteiner of Gum Tree Farm and Organic Wool Works. Costumer of Awesome Second shout for this beyond hilarious, gif heavy tubmlr by an (unnamed) costume designer currently working in the business. The Walking Dead Another thorough interview with costume designer Eulyn Womble,……