There is a problem with the costumes in The Wolf of Wall Street, and it has nothing to do with the film itself but the coverage they have received. Namely, that this coverage is incorrect. Articles such as this one for Vogue France, or this for The Hollywood Reporter, or a ‘suit guide’ by Esquire, concentrate almost solely on Giorgio Armani’s contribution to the project with barely a mention of costume designer Sandy Powell. And this is the Sandy Powell by the way: 10 Oscar nominations and so well respected she has an OBE for services to the industry. It was Powell who costumed The Wolf of Wall Street, not…

A rundown of why Hollywood Costume at the V&A is the best event you will see all year. Lord Christopher Laverty 4 Comments 24 Aug ’10 9 Aug ’10 10 Feb ’14

Goldmember (2002, directed by Jay Roach), the final film (so far) in the Austin Powers series again shifts its timeline. However, rather than a negligible, though comparatively significant, jump from late to very late 1960s, here we dive into that most raucous of decades – the 1970s. And then back to 2002 (do keep up). For costume designer Deena Appel (pictured above, bottom left with Jay Roach) it was a wildly ambitious undertaking. Not to mention the film also features a well-known music and movie star, just about to launch into the stratosphere: Beyoncé. Speaking exclusively to Clothes on Film and closing out our epic in-depth look at the Austin……

If you’re not watching BBC 2’s gangster western Peaky Blinders, stop reading now and seek it out on iPlayer – there’s still one episode left so you have time to join the party. Peaky Blinders is the slow burning tale of a volatile, family led criminal gang, headed by calculating brother Tommy Shelby (Cillian Murphy), and their rise to power in post-World War I Birmingham. It does not sound glamorous and it isn’t, yet is all the more compelling for embracing the filthy side of what many considered to be the cusp of the ‘Roaring Twenties’. Not in Birmingham it wasn’t. Thankfully Peaky Blinders had costume designer Stephanie Collie (Lock,……

Travolta’s look defined an era: smart, yet somehow scruffy; classy yet somehow cheap. Establishing a new feature at Clothes on Film, the following review is written in collaboration with costume designer Kristin M. Burke.

Second and final part of Clothes on Film’s sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan. First of Clothes on Film’s two part sartorial run-through of Sherlock Holmes: A Game of Shadows, with exclusive input from costume designer Jenny Beavan. Sherlock Holmes 2 rounds out a week of costume reveals with this first official image. Final part of our analysis of Sherlock Holmes complete with insight from costume designer Jenny Beavan. With insight from costume designer Jenny Beavan, we commence our sartorial analysis of Sherlock Holmes.

There is little point in Clothes on Film delving too deeply into the first trailer for director J.J. Abrams’ Star Wars sequel The Force Awakens, mainly because it is just so much speculation at the moment, which of course is part of the fun, but also because there are far smarter (or more interested) minds on the Internet who will do a better job. That said how can you watch that trailer and not have an opinion? So here are ours, and with no contribution whatsoever from Star Wars VII costume designer Michael Kaplan. If he told us anything at this stage he would be thrown in the Sarlacc pit…

A rundown of why Hollywood Costume at the V&A is the best event you will see all year. A new clip of Toy Story 3 has hit the internet. It’s got Ken. It’s got Ken wearing jeans. It’s got Ken dancing.

Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate the characters’ hidden desires and make watching Passion a sensory experience. This melodrama centres on two ad executives, Isabelle (Noomi Rapace) and her boss Christine (Rachel McAdams), who have a deadline to come up with an ad campaign for a new smartphone. In her sleep, Isabelle thinks of a great idea. The two other principal characters are Isabelle’s assistant Dani (Karoline Herfurth) and Christine’s boyfriend Dirk (Paul Anderson) who get……

As worn by Grace Kelly, this floaty, conspicuous dress is an appreciable nod to Dior’s ‘New Look’ of the late 1940s.