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    American Gigolo: Armani Gere | Clothes on Film – Part 13314

    American Gigolo (1980, directed by Paul Schrader) is a vapid expression of style without substance that has somehow become an academic’s favourite. Yet to argue the emptiness of the film and its bland protagonist as subtext is to miss the big picture: American Gigolo is not even about its protagonist; it is about what he wears. American Gigolo is about Armani. It was Italian designers who led a revolution in tailoring during the early 1980s, reinventing the male suit by removing hitherto essential padding for a lightweight, almost floppy silhouette. Combined with unusual fabric choices and bold colours, they defined the decade. Giorgio Armani was at the forefront of this…

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    Passion | Clothes on Film

    Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate the characters’ hidden desires and make watching Passion a sensory experience. This melodrama centres on two ad executives, Isabelle (Noomi Rapace) and her boss Christine (Rachel McAdams), who have a deadline to come up with an ad campaign for a new smartphone. In her sleep, Isabelle thinks of a great idea. The two other principal characters are Isabelle’s assistant Dani (Karoline Herfurth) and Christine’s boyfriend Dirk (Paul Anderson) who get…

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    Karen Muller-Serreau | Clothes on Film

    Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate the characters’ hidden desires and make watching Passion a sensory experience. This melodrama centres on two ad executives, Isabelle (Noomi Rapace) and her boss Christine (Rachel McAdams), who have a deadline to come up with an ad campaign for a new smartphone. In her sleep, Isabelle thinks of a great idea. The two other principal characters are Isabelle’s assistant Dani (Karoline Herfurth) and Christine’s boyfriend Dirk (Paul Anderson) who get…

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    fabric | Clothes on Film

    Clothes on Film were fortunate enough to be invited to a display of costumes from the latest adaptation of Murder on the Orient Express (2017), plus interview its costume designer Alexandra Byrne. An Oscar winner for Elizabeth: The Golden Age (2008), and well known for her period design work, since 2011 Byrne has become connected to the world of Marvel, her most recent project being Doctor Strange in 2016. Here she chats candidly about recreating the (mainly) glamorous side of the early 1930s and the challenges that faced her and her team. Alexandra Byrne on shooting in 70 mm: “Director Ken (Branagh) and I did Hamlet (1996) together which was……