Julian Day | Clothes on Film

What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…

This week’s costume biggies. The Great Race Karen Noske analyses the exceptional work of Edith Head for Natalie Wood. Breaking Bad Emma Fraser looks at Lydia’s blue coat (and her influence on Todd’s clothing) in recent episodes. Downton Abbey Caroline McCall keeps the Downton ladies covered up. Kristin M. Burke The veteran costume designer tackles the increasing problem of internet haters critiquing work they do not understand. Cinema and Clothes By Dal Chodha, with a teeny contribution by yours truly. Rush Much better interview with costume designer Julian Day than the last one we linked to. Masters of Sex Ane Crabtree on her late 1950s designs for the Showtime drama.…

BAMF A well written and comprehensive site with a growing list of gents film/TV costume posts in the ‘get the look’ format. Like this a lot. Costume design, JK Rowling’s new Harry Potter movie, and the wizarding fashions of 1920s New York Hello Tailor gets lost in the world of world of Hogwarts costume. And in Part 2… She sets her sights on the flapper effect. Fashion Have no doubt; costume designers have a big impact on fashion. The Great Gatsby Lisa Hix for Collector’s Weekly finds more to say on The Great Gatsby. Her starting point? Boobs. Rush Gilt talk to Julian Day about his period costume work on…

This week this happened in costume… Diana Rush, Alpha Papa and now Diana, costume designer Julian Day is everywhere at the moment (good, because he’s very talented). Here Day explains a little about undertaking what must have been one of the trickiest costume jobs of the year. Revenge All about Emily Thorne’s (Emily Van Camp) wedding dress. Preview: Jill Ohanneson designed it herself. Trish Summerville Video: The 2013 Stylist award winner looks understandably bemused throughout Pop Sugar’s excitable interview. Riddick Helen o’Hara skilfully pulls apart the film’s frankly disgusting misogyny. Northern Costume Social Event Advice for those in the TV/film costume game. Toronto International Film Festival Leaving aside award friendly…

Stone slacks, leather cardigan, pale denim – who wouldn’t want to dress like Alan Partridge? This may be dad brand clothing, but it announces you as the most confident man in the room. Driving gloves? That’s nothing. Try removing your coat and jacket then leaving the driving gloves until last. That takes guts, or failing that a complete lack of personal awareness. In other words it takes a Partridge. Steve Coogan co-created and has played sports-journalist-turned-chat-show-host-turned-DJ Alan Partridge on and off for 22 years. Nothing his character wears is random. For costume designer Julian Day (Berberian Sound Studio, Rush), working alongside perfectionist Coogan on Alpha Papa must have been a…

The first trailer for mid-1970s set Rush is on-line and Olivia Wilde looks sensational.

Teaser trailer for Alpha Papa aka Alan Partridge the movie arrives. He may dress hideously but costume design is vital for the character.

It’s grim by the coast. A trailer for 1960s set Brighton Rock has arrived online.