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    Tiffany & Co | Clothes on Film

    Fred Williamson as Tommy Gibbs adopts the gangster codes of 1930s cinema in blaxploitation classic Black Caesar. Baz Luhrmann and Catherine Martin bring us the twenties reloaded. Catherine Martin chats about The Great Gatsby costumes, design and a lack of nostalgia. Warner Bros. have released two images from The Great Gatsby. Not much to see, but it is difficult not to be drawn in by the promise of costume luxury.

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    Pi | Clothes on Film

    A ferocious work from a filmmaker at the height of his game, Black Swan is an incredibly satisfying piece of cinema. Clothes on Film chatted with Darren Aronofsky about the challenges of portraying perfection in Black Swan, method acting and The Wolverine.

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    Lindy Hemming Talks Designing 007: Fifty Years of Bond Style | Clothes on Film

    Academy Award winning costume designer Lindy Hemming has worked on five James Bond films with Pierce Brosnan and Daniel Craig in the lead role. Who better then to curate an exhibition of 007 style? The most anticipated event of its kind for fans of the Bond aesthetic, gadgets, sets, cars and some unforgettable costumes, this ambitious project has been in the making for nearly a decade. Speaking exclusively to Clothes on Film, Lindy Hemming talks through her involvement with the exhibition and hints at what to expect when it opens next month in London: ‘Having worked for the producers Barbara Broccoli and Michael Wilson on five Bond films over eleven…

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    green dress | Clothes on Film

    We chat to costume designer Gary Jones about his work on Oz the Great and Powerful. A first-hand close-up look at costumes from Oz the Great and Powerful. Oz is here and as far as fantasy costume is concerned, you are in for some surprises. Forgive the self-promotion as we draw your attention to Clothes on Film’s inclusion in book ‘Hollywood Costume’ edited by Deborah Nadoolman Landis. Costume designer Margot Wilson talks exclusively to Clothes on Film about her impeccable work on Lawless. Who might win for costume design at the Orange BAFTA Film Awards? Costume designer Michael Kaplan took time away from Star Trek 2 to chat exclusively to…

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    Pirates of the Caribbean | Clothes on Film

    Where to start with Penny Rose? Pirates of the Caribbean? Evita? King Arthur? Most recently of course 47 Ronin (directed by Carl Rinsch). You do not hire Penny Rose for something small. This is not to say she won’t work on independent and low budget projects, just that her CV is becoming increasingly packed with huge scale period and/or fantasy studio movies – basically the kind of pictures that would make most costume designers weep. Multiples, armour, uniforms, plus Ms. Rose practically always builds from scratch. Not a fan of ‘shopping’ or even slightly interested in fashion, Penny Rose is old-school hands on, no-nonsense and no fear. Nonetheless, there is……

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    cowboy | Clothes on Film

    MINOR SPOILERS For all the inevitable chrysalis transformation of singer Ally (Lady Gaga) during A Star is Born (2018, directed by Bradley Cooper), the most subtle, yet real sartorial reflection of character belongs to her mentor and lover Jack (Cooper). Costumed by Erin Benach (Drive, A Place Beyond the Pines), Jack is the epitome of the casual rock star. Stage wear, day wear, evening wear, drinking wear, sleeping wear – it’s all the same. His simple clothes mask a mind so damaged it can only be subdued with the bottle. Jack lives in t-shirts (plain, dark or neutral colours), untucked shirts (dark or a green graph-check), brown calf leather jacket,……

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    A Stitch in Time | Clothes on Film

    The latest book by fashion historian, and now TV presenter Amber Butchart (A Stitch in Time on BBC 4 – second season please), is a comprehensively researched stroll through the best dressed folk ever to exist on the planet. The Fashion Chronicles: The Style Stories of History’s Best Dressed is laid out to be effortlessly readable, split into sections ranging from Ancient (and we mean ancient; basically like the first clothes ever) to 20th and 21st Century. Each entry gets a couple of pages of engaging historical notes and background justifying their inclusion along with a photo / picture or two. It works; it doesn’t feel like study or revision,…