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blue | Clothes on Film
Costume designer Ann Roth, arguably one of the greatest of her craft still working in Hollywood, has costumed director Steven Spielberg’s latest The Post, and by the looks of this first trailer we are in for a muted treat: What we have are gentlemen sporting classic collar points with moderate spread, sometimes short sleeve (always with a chest pocket – a very American touch) and medium breadth neckties. The occasional kipper, but this 1971 is a very different world than, say, The Deuce (costume designer Anna Terrazas). The seventies may have ushered in increasingly wide flared trousers and oversized lapels but it’s doubtful we’ll see much of those in The……
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Brian Helgeland | Clothes on Film
Director Brian Helgeland’s Legend (2015) tells the based-on true story of Ronald and Reggie Kray: twins (both played by Tom Hardy), East End boys, racketeers, murderers, icons. The Krays were shaped during the 1960s, a post World War II boom for England. They came to symbolise the smartly dressed gangster for a new youth-orientated generation. They had money and they wanted to flaunt it – and that meant suits and a lot of jewellery. Costume designer for Legend, Caroline Harris, boasting over 20 years experience in both film and television with credits such as Mr Nice (2010), Red Riding (2009) and Fleming (2014), here chats exclusively to Clothes on Film…
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Turturro | Clothes on Film
Recently Clothes on Film chatted with Kristin Burke from FrockTalk about The Big Lebowski. We discussed weightlifting pants and feminism. Lord Christopher Laverty Comments Off on The Big Lebowski: Chris and KB Chat About the Film 1 Jun ’10 20 Mar ’12 2 Oct ’18
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Christopher Lawrence | Clothes on Film
Two weeks of catch up for you. Phillip Boutte Jr. This is something special. Tyranny of Style interview costume illustrator Phillip Boutte Jr. featuring some of his fabulous digital renderings from X-Men: Days of Future Past. Wonder Woman Apparently ‘exclusive’ costume details for the Batman vs. Superman: Dawn of Justice movie, which is due April 2016. Wonder Woman will look ‘badass’. The Best Movie Sunglasses of ALL TIME So says Vogue. Penny Dreadful Brilliant look at the show’s costume design with insight from Gabriella Pescucci. Love the French impressionists inspiration. Clueless This is kinda cool – clothes retailer Metail have introduced a Cher style style wardrobe selector. We have the…
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Madonna | Clothes on Film
A preview of Clothes on Film editor Christopher Laverty’s article on the vibrant costume design of Dick Tracy for Arts Illustrated magazine. Truly unique, Dick Tracy is as close to a comic strip brought to life as any film before or since. This was director and star Warren Beatty’s goal; not to interpret the comic, but to paint it directly onto a cinematic canvas. He achieved this by embracing the superficial qualities of the painted page, the bright colours, exaggerated structures, madcap caricatures, and placing them front and centre. Dick Tracy is an all knowing pantomime. The original Dick Tracy comic strip first published in the United States in 1931,……
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Diane Von Furstenberg | Clothes on Film
With exclusive insight from Leesa Evans, Clothes on Film takes an overview look at the art of comedic costume in Bridesmaids. The Girl Most Likely To is a film for all those who have been laughed at because of the way they look.
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Dr Laszlo Kreizler | Clothes on Film
Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the…
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Danny Boyle | Clothes on Film
MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…
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Behind the Candelabra | Clothes on Film
Two weeks of catch up for you. Phillip Boutte Jr. This is something special. Tyranny of Style interview costume illustrator Phillip Boutte Jr. featuring some of his fabulous digital renderings from X-Men: Days of Future Past. Wonder Woman Apparently ‘exclusive’ costume details for the Batman vs. Superman: Dawn of Justice movie, which is due April 2016. Wonder Woman will look ‘badass’. The Best Movie Sunglasses of ALL TIME So says Vogue. Penny Dreadful Brilliant look at the show’s costume design with insight from Gabriella Pescucci. Love the French impressionists inspiration. Clueless This is kinda cool – clothes retailer Metail have introduced a Cher style style wardrobe selector. We have the……
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Renton | Clothes on Film
MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…