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shield | Clothes on Film
The costume evolution of Sansa Stark in Game of Thrones. Contributor 4 Comments 29 Jun ’10 1 Aug ’12 11 Jun ’10
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Sam Waterston | Clothes on Film
MINOR SPOILERS At a pivotal juncture during the Fathers & Sons episode of Godless (2017), the camera tracks into a pink ribbon tied on the back of young woman’s hair; a woman who is suffering from the onset symptoms of smallpox and unlikely to find recovery. Later in the episode we pan across dozens of freshly dug but unnamed graves each with it’s own crucifix. We don’t see the woman again, but on one of the crucifixes is tied a pink ribbon. Such is the power of even the slightest costume and accessory details in Godless, the narrative is informed by their very presence. Costume designer for Godless was Betsy…
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male gaze | Clothes on Film
Moments of sartorial significance, and that glimmer of recognition that we feel upon seeing an onscreen outfit worn more than once are found throughout Smooth Talk, Joyce Chopra’s underseen 1986 adaptation of a Joyce Carol Oates short story. The film is rife with all the monotony of life and charming ensembles we expect of a teenage girl in the summer, yet it simultaneously offers complexity and creepiness. Laura Dern plays Connie, an ingénue spending her days as an “unfinished girl, waiting for completion of some sort” (Quart 74). In her essay, “Smoothing Out the Rough Spots: The Film Adaptation of ‘Where Are You Going, Where Have You Been?’” Rebecca Sumner…
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Star Wars: Interview with Michael Kaplan | Clothes on Film – Part 35883
Surely we all know Michael Kaplan by now? Flashdance (1983), Fight Club (1999), Burlesque (2010), Star Trek (2009), and the biggest of the big, Star Wars: The Force Awakens. Versatile is not a generous enough word for his talent; he is literally one of the best in the business, as his CDG (Costume Designers Guild) nomination for Star Wars goes some way to proving. I spoke to Mr Kaplan just after Christmas about his work for The Force Awakens, but due to unforeseen circumstances (basically Clothes on Film HQ flooding), this interview is only being posted now. Still much to enjoy though, and plenty of costume titbits to sift through.…
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flapper | Clothes on Film – Part 2
The full trailer for HBO’s Boardwalk Empire arrives. Period costume fans, set your jaw to dropped. Angelina Jolie suits the unstructured dresses and cloche hats in Changeling perfectly.
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Top Costumes of the Year 2013 | Clothes on Film – Part 33894
What a busy twelve months it’s been for costume design. Really though, this art, or craft, or business (Deborah Nadoolman Landis insists it is definitely a business) gets more talked about each year. 2013 was especially exciting however as it seemed every month something even more thrilling arrived to fawn over. In the last few weeks alone we have had The Hunger Games: Catching Fire and Sleepy Hollow, and now American Hustle and The Wolf of Wall Street on the horizon. Dipping back further, it was Stoker that got us excited about subtext, The Great Gatsby that slammed the lid on that twenties revival once and for all, and Behind…
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Ascot dress | Clothes on Film
$ 4,600,000 for Marilyn Monroe’s ‘subway’ dress was only just one mega bid of many. The Debbie Reynolds costume collection is up for sale. Darn you, worldwide recession!
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ventless | Clothes on Film
Public Enemies demonstrates how costume can actually drive a story narrative. As account man Roger Sterling, John Slattery tended to wear a light grey three piece suit; right up until he donned a sharp double breasted for the first time. A trailer for comedy Middle Men with its recent contemporary costume design.
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showgirl outfit | Clothes on Film
$ 4,600,000 for Marilyn Monroe’s ‘subway’ dress was only just one mega bid of many. Lord Christopher Laverty 3 Comments 3 Sep ’10 22 Jun ’12 30 Jun ’12
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Godless | Clothes on Film
MINOR SPOILERS At a pivotal juncture during the Fathers & Sons episode of Godless (2017), the camera tracks into a pink ribbon tied on the back of young woman’s hair; a woman who is suffering from the onset symptoms of smallpox and unlikely to find recovery. Later in the episode we pan across dozens of freshly dug but unnamed graves each with it’s own crucifix. We don’t see the woman again, but on one of the crucifixes is tied a pink ribbon. Such is the power of even the slightest costume and accessory details in Godless, the narrative is informed by their very presence. Costume designer for Godless was Betsy…